Izzat paints an image of Oslo, Norway’s capital, and its crime-environment in the mid-90’s. We follow Wasim and his involvement in Eastside Crew, the crime-gang mostly consisting of second-generation Pakistanis in Norway. What makes this movie extra special, is the realness of it all. Based on actual events, the film marks a flashy debut for Ulrik Imtiaz Rolfsen, the director. Continue reading
Having recently lost her sight, Ingrid retreats to the safety of her home – a place where she can feel in control, alone with her husband and her thoughts. But Ingrid’s real problems lie within, not beyond the walls of her apartment, and her deepest fears and repressed fantasies soon take over Continue reading
Mina is a young single mother livingin Oslo with her 6 year old son Felix. She is an Norwegian Pakistani with a troublesome relationship with her family. Mina is constantly looking for love and has relations to different men, however none of the relationships bearing any hope of lasting very long. So when Mina meets Jesper, a Swedish film director, she falls head over heals in love. ~ nfi.no
Twentysomething single mother Mina is seriously at a loose end. She wants to be an actress but blows every audition. She seems uninterested in, and incapable of pursuing, any other career. And she’s in a casual relationship with an already-attached and painfully self-absorbed man. A chance meeting with a Swedish filmmaker opens up new possibilities, but looming over everything is the one constant in Mina’s life: her mother’s disapproval – a disapproval so deep and so gargantuan it’s brought about Mina’s relentlessly self-destructive behaviour, which has apparently made her entire family outcasts in Norway’s expatriate Pakistani community. ~ tiff
The Exorcist in the 21st Century takes the viewer into the unknown and sinister world of exorcism in the Catholic Church. We meet one of the few exorcists in Europe, the Vatican approved Jos? Antonio Fortea. He travels around the world on a mission to enlighten the masses about demonic possession. Constanza, a Colombian woman, is desperately looking for Fr. Forteas help. She claims to have been possessed by demons for nearly 15 years and she goes through a ritual of exorcism before she sees the Spanish exorcist as a last hope for spiritual liberation. The film follows both their journeys and gives a unique insight into one of the world most secret and mystical rites – the catholic ritual of exorcism. Continue reading
A liberal interpretation of Henrik Ibsen’s play Little Eyolf. When their only son dies from a sudden accident, a rift breaks Alfred and Rita’s seemingly trouble free marriage, and they rush headlong into catastrophe. As they do so, theirs and their friends’ lives are changed for forever. Continue reading
This feature documentary is an affectionate yet truthful account of the 42 years and 12 films long relationship between legendary actress Liv Ullmann and master film maker Ingmar Bergman.
Told entirely from Liv’s point of view, this rollercoaster journey of extreme highs and lows is constructed as a collage of images and sounds from the timeless Ullmann-Bergman films, behind the scenes footage, still photographs, passages from Liv’s book ‘Changing’ and Ingmar’s love letters to Liv.
Ultimately this film is a homage – a candid, humane look – not only at two of the greatest artists of our time, but also at two wonderful human beings, two inseparable friends, soul mates… Continue reading
The opening sequence of Zero Kelvin scrolls across a bleak, vast Norwegian wilderness that is virtually inhospitable for men and most beasts. This white, magnificent landscape exudes tremendous beauty, but it also represents death for those foolish enough to fight its dominance. What happens to a civilized human being when he spends enough time is this environment? In this tightly constructed character study, director Hans Petter Moland explores the effect of this land on the fragile human psyche.
Gard Eisvold is a restless, poor young writer living in Oslo who decides to get a little more worldly by joining an Arctic fur-trapping expedition. Leaving behind his girlfriend, Eisvold travels to Greenland, where he’s confronted with the dual harshness of the elements and his profane station-captain, played with brilliant malevolence by the great Stellan Skårsgard. The captain doesn’t take kindly to having a violin-playing, poetry-writing college boy around the cabin, and he begins to torture Eisvold in a cunning if none too subtle fashion. Soon, of course, they’re at each other’s throats despite each needing the other’s help to survive the wilderness.