Two brothers in their seventies, Pa and Moe, have lived together all their lives in a little house in the country, the only interruption being when Pa made a weekend trip to Småland on his moped during the second World War. The past returns when his adult son dating from his Swedish visit, Konrad, comes to live with them after his mother has fallen ill. Soon Moe is about to discover that three is indeed a crowd… Continue reading
An uncompromising and controversial short set in the Scandinavian suburbia on the hottest day of the summer. A sister reluctantly babysits her little brother. Two young boys catch her attention, and she makes a crucial decision. Continue reading
A feel good film about depressions. About being able to do it all, but losing it in a severe anxiety attack. About controlling angst together with the family, and be able to laugh of it all, even the electro shocks. Continue reading
A journey inside Martin’s head. He’s on a weekend mountain trip, and we get to know his thoughts. Unsensored, essential, existential and silly about feelings and fantasies. A recognizable film about being human, and how we tick and think.
Screen Daily wrote:
A Walter Mitty-esque comedy drama set against the stunning backdrop of the Norwegian great outdoors, Out Of Nature (Mot naturen) is an engaging delve into one man’s troubled sub-conscious as he tries to tackle the issues – mainly sexually orientated – haunting his life.
Notable thanks to a rather distinctive naked jogging scene, the film has a dry wit to balance its off-beat story, with co-director Ole Giæver also going in front of the camera and impressive as protagonist Martin (that self-same naked runner) who carries pretty much the entire storyline. It is a physically demanding role – with most of the dialogue interior – that he handles pretty impressively. Continue reading
When Norwegian scientist Marie attends a seminar in Paris on the actual weight of a kilo, it is her own measurement of disappointment, grief and, not least, love, that ends up on the scale. Finally Marie is forced to come to terms with how much a human life truly weighs and which measurements she intends to live by.
The international prototype kilogram of 1889, the mother of all kilos, is today kept in a vault at Bureau International des Poids et Mesures BIPM in Paris. It is the last physical weight reference still in use and the national prototypes must from time to time be transported from their respective countries to Paris in order to be recalibrated Continue reading
The entire extended family is happily on its way to a nostalgic Christmas at a rented cabin in the mountains. The cabin becomes cramped, however, when mom and dad and four grown-up children with their respective families, a dog and in-laws from Poland squeeze inside the frozen cabin walls in 30-below-zero weather.
Especially when the kerosene stove leaks, one of the children suffers from asthma, one of the daughters is lovesick, mom desperately tries to stay happy and dad is oh so thirsty. The Polish father-in-law sings his beautiful love ballads, the Swedish neighbour drops by for a slow waltz, the children go ice fishing, the dog wallows wildly in the close quarters, mom makes huge meals – and aren’t we having a wonderful time? Daughter Liv wishes for reconciliation, fervently hoping that there is a future for herself and her family. Yet at the same time she lances a boil which hides more than her father’s “skeletons” under the mattress. Continue reading
August Strindberg felt that the entire world had gone crazy. The “norms” of class hierarchies and gender roles were starting to shatter, and he saw chaos pouring into that vacuum. His 1888 play “Miss Julie” is the prime example, although it’s evident in all of his other disturbing, great modern works. “Miss Julie” plays in almost real-time, taking place in one setting over the course of a single evening, Midsummer Night’s Eve, the one long night of the year when the classes blend together, when rich dance and drink with poor, when the boundaries have blurred. There are only three characters in the play, and it opens with Jean, an upwardly-striving valet remarking to his pal and sort-of girlfriend, the kitchen maid, that “Miss Julie is crazy!” Miss Julie is the daughter of the count in whose manor they both work. Continue reading