TURN ME ON, DAMMIT! is a whimsical and refreshingly honest coming of age story about the blossoming sexuality of a teenage girl. The feature debut of Jannicke Systad Jacobsen, the film won the Best Film prize at Norway’s national film awards, the Amandas, as well as Best Screenplay at the Tribeca Film Festival and Best Debut Film at the Rome Film Festival.
15-year-old Alma (Helene Bergsholm) is consumed by her out-of-control hormones and fantasies that range from sweetly romantic images of Artur, the boyfriend she yearns for, to down-and-dirty daydreams about practically everybody she lays eyes on. Alma and her best friend Sara live in an insufferably boring little town in the hinterlands of Norway called Skoddeheimen, a place they loathe so much that every time their school bus passes the sign that names it, they routinely flip it off. After Alma has a stimulating yet awkward encounter with Artur, she makes the mistake of telling her incredulous friends, who ostracize her at school, until Sara can’t even be seen with her. At home, Alma’s single mother is overwhelmed and embarrassed by her daughter’s extravagant phone-sex bills and wears earplugs to muffle Alma’s round-the-clock acts of self-gratification. Continue reading
Izzat paints an image of Oslo, Norway’s capital, and its crime-environment in the mid-90’s. We follow Wasim and his involvement in Eastside Crew, the crime-gang mostly consisting of second-generation Pakistanis in Norway. What makes this movie extra special, is the realness of it all. Based on actual events, the film marks a flashy debut for Ulrik Imtiaz Rolfsen, the director. Continue reading
Having recently lost her sight, Ingrid retreats to the safety of her home – a place where she can feel in control, alone with her husband and her thoughts. But Ingrid’s real problems lie within, not beyond the walls of her apartment, and her deepest fears and repressed fantasies soon take over Continue reading
Mina is a young single mother livingin Oslo with her 6 year old son Felix. She is an Norwegian Pakistani with a troublesome relationship with her family. Mina is constantly looking for love and has relations to different men, however none of the relationships bearing any hope of lasting very long. So when Mina meets Jesper, a Swedish film director, she falls head over heals in love. ~ nfi.no
Twentysomething single mother Mina is seriously at a loose end. She wants to be an actress but blows every audition. She seems uninterested in, and incapable of pursuing, any other career. And she’s in a casual relationship with an already-attached and painfully self-absorbed man. A chance meeting with a Swedish filmmaker opens up new possibilities, but looming over everything is the one constant in Mina’s life: her mother’s disapproval – a disapproval so deep and so gargantuan it’s brought about Mina’s relentlessly self-destructive behaviour, which has apparently made her entire family outcasts in Norway’s expatriate Pakistani community. ~ tiff
The Exorcist in the 21st Century takes the viewer into the unknown and sinister world of exorcism in the Catholic Church. We meet one of the few exorcists in Europe, the Vatican approved Jos? Antonio Fortea. He travels around the world on a mission to enlighten the masses about demonic possession. Constanza, a Colombian woman, is desperately looking for Fr. Forteas help. She claims to have been possessed by demons for nearly 15 years and she goes through a ritual of exorcism before she sees the Spanish exorcist as a last hope for spiritual liberation. The film follows both their journeys and gives a unique insight into one of the world most secret and mystical rites – the catholic ritual of exorcism. Continue reading
A liberal interpretation of Henrik Ibsen’s play Little Eyolf. When their only son dies from a sudden accident, a rift breaks Alfred and Rita’s seemingly trouble free marriage, and they rush headlong into catastrophe. As they do so, theirs and their friends’ lives are changed for forever. Continue reading
This feature documentary is an affectionate yet truthful account of the 42 years and 12 films long relationship between legendary actress Liv Ullmann and master film maker Ingmar Bergman.
Told entirely from Liv’s point of view, this rollercoaster journey of extreme highs and lows is constructed as a collage of images and sounds from the timeless Ullmann-Bergman films, behind the scenes footage, still photographs, passages from Liv’s book ‘Changing’ and Ingmar’s love letters to Liv.
Ultimately this film is a homage – a candid, humane look – not only at two of the greatest artists of our time, but also at two wonderful human beings, two inseparable friends, soul mates… Continue reading