Pablo Trapero

Pablo Trapero – Carancho AKA Abutre (2010)

In Argentina over 8,000 people die in traffic accidents every year. Behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes. Sosa is a lawyer who tours the A&E Departments of the public hospitals and the police stations in search of potential clients. Luján is a young doctor recently arrived from the provinces. Their love story kicks off one night when Luján and Sosa meet in the street. She’s trying to save a man’s life; he wants him on his client portfolio. Read More »

Pablo Trapero – Leonera aka Lion’s Den (2008)

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We will never know if the young university student that one day wakes up surrounded by two men covered in blood, one dead, the other wounded, is the perpetrator. Julia is pregnant with the child of one of them. The maternity ward of a women’s prison is the location in which most of the 113 minutes of Leonera’s plot takes place. Shot in Buenos Aires’ prisons, with the participation of true inmates and guards, the film “maintains some of the codes of prison films, although developed in the context of the relationship between Julia, the mother and her son”, explained Trapero in an interview with BBC Mundo. Read More »

Pablo Trapero – Elefante blanco (2012)

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The “elefante blanco” (white elephant) in Pablo Trapero’s eponymous film is the phantasmagorical structure of what was to be Latin America’s biggest hospital, construction of which was approved in 1937 and started in 1938. In line with Argentina’s sociopolitical upheaval, the project was never completed and is now home to thousands of outcasts who live among rubble, rats, pollution, illness, crime, deadly drug lords’ feuds.
Trapero’s Elefante blanco, focusing on the painstaking work of two shanty-town priests and a social worker, is a trip through urban hell. Contrary to the barrage of political harangue we are subjected to on a daily basis, Elefante blanco lays out the bare facts: a Third World country playing welfare state but in reality struggling to stay afloat. No other aborted social project could make such a visible, powerful impact as the elefante blanco, palpable proof that not everyone is given the same possibilities to attain social mobility and think ahead to a better future. Read More »