Screen (Pat O’Neill, 1969, digital (originally 16mm), color, silent, 4min.)
A less-well known work by O’Neill, originally intended as an installation.
Consider supporting the filmmaker. Continue reading Pat O’Neill – Screen (1969)
”This rarely screened 1989 masterpiece by Pat O’Neill is a moving meditation on industrialization, focusing on the dystopic desert created by Los Angeles’s vast water consumption. O’Neill conceived the film partly as an answer to Godfrey Reggio’s mind-numbing Koyaanisqatsi (1983), a hypnotic inventory of touristy landscapes showing a world out of balance. In contrast O’Neill creates images full of internal contradictions, using optical printing to collage different locales and suggest the inevitable conflict of industry and nature. One slow dissolve between the Owens Valley desert and Los Angeles at night suggests a direct cause and effect: the city flourished only by despoiling the land. Using time lapse to make weather changes visible, O’Neill renders people as fleeting shadows whose power to alter the landscape fails to mitigate the fragility and shortness of human life on a geologic scale.” – Fred Camper, The Chicago Reader Continue reading Pat O’Neill – Water and Power (1989)
Pat O’Neill’s second long-form work, following Water & Power. A master of the optical printer, and the single greatest influence on Peter Tscherkassky’s “manufractured” cinema, O’Neill reprocesses and recontextualises fragments of found footage & public service broadcasts to extraordinary effect, meshing it with his own original footage (incorporating time-lapse, motion control and innumerable exposures). Cinematic non-sequiturs amass, layer upon visual layer, creating trouble in the image. Continue reading Pat O’Neill – Trouble In The Image (1996)