The First Filmed Live Performance Of Can
Rockpalast From The Archives: Can
Live from the “Karussell Der Jugend” club in the German city of Soest.
The first filmed live performance of the German Kraut-Legend featuring Damo Suzuki.
It is hard to believe today that once one of the most influential German bands played in a small town in a state funded youth club (no alcohol allowed!). Continue reading
Gregor Samsa, a travelling salesman, awakes one morning to find that he has been turned into a monstrous insect. His mother, father and younger sister respond to his transformation in very different ways.
Arthur Pita’s adaptation of Franz Kafka’s 1915 novella had its premiere at the Royal Opera House’s Linbury Studio Theatre in 2011. The role of Gregor Samsa was created for Royal Ballet Principal Edward Watson, and draws on his extraordinary technical abilities. The unusual and absurd story is conveyed through startling choreography – an intelligent presentation of the pressures and yearnings of the young Kafka.
This is the Andrei Tarkovsky production of the famous Pushkin/Mussorgsky opera, performed in 1990 at the Mariinsky Theatre in St. Petersburg, Russia, conducted by Valery Gergiev.
[To avoid some confusion: Tarkovsky, who died in 1986, was the director of the opera production, not the man behind the camera for this performance. The original production was staged 1983 in London. Amazon lists both Tarkovsky and Gergiev as directors, IMDB lists Humphrey Burton.] Continue reading
Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV.
In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière’s play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Continue reading
This film sprang from an encounter between French film-maker Pierre Coulibeuf and Flemish choreographer Jan Fabre. The choreographer re-created his own world and offered Coulibeuf a phantasmagoria based on his theatrical and choreographic inventions. The resulting film is a labyrinth with multiple entrances, where an unlikely Ariane in wedding gown guides and misleads the viewer in a strange world marked by metamorphosis, multiple personalities, conflicting drives, parody, ritual, surreality… Continue reading
Richard Pinhas, the founder of 70s progressive legends Heldon, is one of the most uncompromising artists on the international rock scene, having remained constantly innovative and true to his personal artistic vision for 40 years and some 35 full length releases.
Oren Ambarchi is a guitarist, drummer and sound-artist who has performed and/or recorded with a huge array of artists, including Fennesz, John Zorn, Jim O’Rourke, Otomo Yoshihide, Evan Parker, Merzbow and others. Since 2004, he has worked with the avant-metal band Sunn O))), contributing to many of their releases and side- projects. Continue reading
Adam’s Passion is the moving first collaboration between two “masters of slow motion who harmonize perfectly with each other” (Frankfurter Allgemeine Zeitung). In the spectacular setting of a former submarine factory, American director and universal artist Robert Wilson creates a poetic visual world in which the mystical musical language of the Estonian composer Arvo Pärt can cast its meditative spell. Three of Pärt’s major works – Adam’s Lament, Tabula rasa, and Miserere, as well as Sequentia, a new work composed especially for this production – are brought together here using light, space, and movement to create a tightly-woven Gesamtkunstwerk in which the artistic visions of these two great artists mirror each other. Continue reading