Philippe Grandrieux

Philippe Grandrieux & Lav Diaz & Manuela De Laborde & Óscar Enríquez – Liminal (2020)

A FICUNAM commission for four directors, Liminal seeks to play with poetic affinities between film and music. Moving across aesthetic and generational differences, the film-makers explore this relationship through four distinct stories as to context and imaginary.

Within the category of world cinéma d’auteur, Philippe Grandrieux and Lav Diaz have much in common in terms of their affinities with radical cinematographic form: both are extremely inventive in their practical relationship between music and narration. Read More »

Philippe Grandrieux – The Scream (2019)

Quote:
The Scream, a 63-minute sequence depicting nude bodies engaged in variations of cathartic experience, is projected on eleven separate channels across five walls, with a three-second delay for each channel at its Hong Kong premiere along with the new gallery installation, The Bare Life. Read More »

Philippe Grandrieux – Sombre (1998)

Quote:
Sombre, as Grandrieux’s first feature film, establishes some of the important characteristics of his art: An insistence on vision, with characters beyond psychologies, driven by biology or metaphysical forces.

Love (a mix of brotherly and sexual Love, a true awareness of the other, a communion) mostly overrules all, and its discovery by Jean creates waves that emanate in every shot, every cut and every sound in the rest of Sombre. Read More »

Philippe Grandrieux – Il se peut que la beauté ait renforcé notre résolution – Masao Adachi (2011)

29f7c043f76a2bde437fd0d52a185152

Grandrieux pays an homage to Masao Adachi, a Japanese filmmaker with a turbulent past and now a recluse in his homeland, creating a portrait of this man always faithful in its very own way. Read More »

Philippe Grandrieux – Meurtrière AKA Murderess (2015)

29f7c043f76a2bde437fd0d52a185152

Meurtrière is the second movement of a triptych by Philippe Grandrieux whose common thread is anxiety. This performance of four women dancers is the follow-up to White Epilepsy. The theme of Meurtrière is “Das Ding”. For Grandrieux, “it is on the edge of what can be shown and seen.” Read More »

Philippe Grandrieux – Unrest (2017)

29f7c043f76a2bde437fd0d52a185152

Unrest is the final part of a multidisciplinary trilogy (performances, films, installations) with the central theme of worry. The bodies of dancers Nathalie Remadi and Lilas Nagoya reconnects with the haunted aesthetic of La vie nouvelle in a frantic, sombre experience.
Read More »

Philippe Grandrieux – Malgré la nuit AKA Despite The Night (2015)

29f7c043f76a2bde437fd0d52a185152

Synopsis wrote:
Lenz leaves England and returns to Paris in search of Madeleine who disappeared in uncertain circumstances. He meets Helena, a nurse still struggling with the loss of her infant son. Thus begins a fevered love story set against a backdrop of sorrow, passion, jealousy and self-destruction. Read More »