Claire Denis – L’intrus AKA The Intruder [+Extras] (2004)


L’Intrus opens to a shot of the Franco-Swiss border as a border guard performs a customs check and inspection of a random vehicle with the aid of a contraband-sniffing dog. The seemingly mundane image of frontier, wilderness, and deception provides a curiously appropriate introduction into the Claire Denis’ impenetrably fractured, enigmatically allusive, otherworldy, and indelible metaphysical exposition into the mind of an emotionally severe, morally bankrupt, and profoundly isolated heart transplant patient named Louis (Michel Subor). Idiosyncratically unfolding in elliptical, often reverse chronology (with respect to the heart surgery) through the lugubriously fluid intertwining of Louis’ alienated existence and deeply tormented subconscious, the film is a fragmented and maddeningly opaque daydream (or perhaps more appropriately, a haunted nightmare) of the price exacted by his disreputable past, estranged relationships, hedonism, and instinctual quest for survival: his inability to reconcile with his only son and his family; his sexually motivated, yet emotionally distant relationship with a materialistic pharmacist; his dubious, transcontinental past (a suppressed history that may have included murder). Perpetually followed by a beautiful, enigmatic sentinel (Katia Golubeva) – or conscience – who seems to have been instrumental in obtaining his new heart, what emerges is an indelible, elegiac, and poetically abstract dreamscape through the wondrous, alien terrain of unreconciled (and irreconcilable) personal history, unrequited longing, and haunted memory. Continue reading

Gert de Graaff – De zee die denkt AKA The Sea That Thinks [+Extra] (2000)


The Sea That Thinks is a 2000 Dutch experimental film directed by Gert de Graaff. The film makes heavily use of optical illusions to tell a “story within a story” revolving around a screenwriter writing a script called The Sea That Thinks. The script details what is happening around him and eventually begins to affect what happens around him. Continue reading

Francoise Wolff – Jacques Lacan Speaks (1971)

Jacques Lacan (1901-1981) is widely regarded as one of the most influential psychoanalysts of the 20th century, one whose work has refashioned psychiatry both as a theory of the unconscious mind and as a clinical practice. His seminars and writings have also had a widespread influence throughout the humanities and social sciences, especially in education, legal studies, literary and film studies and women’s studies. Continue reading

Sophie Fiennes – Pervert’s Guide to Ideology (2012)


Short Synopsis
The makers of THE PERVERT’S GUIDE TO CINEMA return with THE PERVERT’S GUIDE TO IDEOLOGY. Philosopher Slavoj Zizek and filmmaker Sophie Fiennes use their interpretation of moving pictures to present a compelling cinematic journey into the heart of ideology – the dreams that shape our collective beliefs and practices. Continue reading

King Vidor – Truth And Illusion: An Introduction To Metaphysics (1965)

“It started when I simply wrote a narration that interested me and challenged myself to fit it to a film, using existing ob­jects in nature, without animation techniques of any kind. I did the photography myself for very little money….It repre­sents an almost abstract attempt to illustrate philosophical thoughts and ideas with strictly photographed—not manufac­tured—images. What, it asks, is truth, and what is illusion? It draws its examples from obvious things like the movies’ il­lusory ‘motion,’ and the way railroad tracks seem to converge to a point on the horizon.

King Vidor” Continue reading

Sophie Fiennes – The Pervert’s Guide to Cinema (2006)


THE PERVERT’S GUIDE TO CINEMA takes the viewer on an exhilarating ride through some of the greatest movies ever made. Serving as presenter and guide is the charismatic Slavoj Zizek, acclaimed philosopher and psychoanalyst. With his engaging and passionate approach to thinking, Zizek delves into the hidden language of cinema, uncovering what movies can tell us about ourselves. Whether he is untangling the famously baffling films of David Lynch, or overturning everything you thought you knew about Hitchcock, Zizek illuminates the screen with his passion, intellect, and unfailing sense of humour. Continue reading