After a five-year hiatus from filmmaking, Piotr Szulkin returned in 1990 with “Femina”, based on a novel by Krystyna Kofta and inspired by Luis Bunuel.
The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood. Continue reading
In a murky, sometimes confusing tale about a future dystopia in which people are waiting — and waiting — for a rescue ship called the Ark, there are several good one-liners, but they are outnumbered by the puzzling riddles and symbolism that permeate the story. The flotsam and jetsam of humanity are huddled together in an underground labyrinth after civilization as we know it has been obliterated by the Bomb. The survivors are protected by a dome which a repairman notes is bound to crack before the Ark arrives because it was constructed under a one-year plan. The hero of the film searches for the origins of the myth about the Ark and along the way falls in love with a prostitute. It seems the world’s oldest profession has also survived the nuclear holocaust. Continue reading