After a five-year hiatus from filmmaking, Piotr Szulkin returned in 1990 with “Femina”, based on a novel by Krystyna Kofta and inspired by Luis Bunuel.
The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood. Continue reading
Jerzy is a writer and a chronic alcoholic. We meet him at the point when he believes that he can beat his addiction. Him and her in bed. Somebody says “I love you”. It seems that there is a reason and someone to live for… But when once she’s gone and he’s alone in a taxi, Jerzy can’t stop himself any longer. He has a quick one at The Mighty Angel and then goes to an all-night shop and starts drinking heavily. And then foam, convulsions, vomiting. Jerzy ends up in intensive care. We meet the hospital staff and other alcoholics in the isolated ward. Part of the treatment is reading previously written stories from the times when the patients were drinking. There’s an array of characters here: a lorry driver, a director, a pharmacist, some dossers too, a student and a policeman… there are no exceptions because anyone can be trapped in addiction. There are many amusing and authentic life stories (who has never laughed at a drunkard?) but there are also some terrifying ones… Continue reading
A young Polish woman (Hendrickx) on the run from a life as a prostitute winds up in a small town in Northern Holland. When a kindly farmer (Spijkers) finds her bruised and battered he gives her a roof over her head. Their relationship blossoms but is threatened by imminent foreclosure on the farm and by the girl’s past catching up with her. Stylish and intriguing.
This movie is a real character movie. Almost the entire movie focuses purely on just the two main characters. The characters don’t explain anything to each other about how and what. They just accept things as they are and don’t look back, even though the both of them, as implied, had issues in the past. They are definitely not at love at first but they also most certainly don’t hate each other. They slowly and steadily grow- and open up toward each other and also learn from each other, in many different ways. It doesn’t make this movie ‘just’ another unusual love-story but something that goes deeper and therefor also gets more effectively shown on the screen. Continue reading
A group of space researchers leaves earth to find freedom. Their spaceship crashes on the dark side of the moon. Shortly afterwards, all are dead save for the children and one adult. They create their own society, characterized by shamanism and the worship of fire. The last adult survivor is called the Old Man, who is both worshipped and loathed. The Old Man leaves the group of children for the mountains and sends his video diary in a rocket back to Earth. A space researcher named Marek (Andrzej Seweryn) receives the video diary and travels to the moon. When he arrives he is welcomed by the group of children as the messiah, seeing him as the reincarnation of the Old Man. Continue reading
During the Napoleonic Wars a young French officer seeks shelter in an abandoned building in the town of Saragossa. In this building he discovers a rather odd book, and when an enemy officer attempts to arrest him, the the second officer is also drawn to narrate the book which seems to have been written by his own grandfather (Zbigniew Cybulski). Soon the officer’s grandfather finds himself immersed within a story of fleeing gypsy cannibals, married to Muslim sisters … in his dreams, and on the run from the Spanish Inquisition. But when he meets up with a Cabalist and his storytelling friends, that is when things start to get truly interesting.
Synopsis : At the end of the Warsaw uprising, the few remaining groups of Polish resistance are collapsing under the German onslaught. After taking heavy casualties, the 43 men and women fighters of Lt. Zadra (Wienczyslaw Glinski) are ordered back into the center of the city via the only route not completely controlled by the Germans, the sewers…
Review:(Noel Megahey, DVD Times)
It all starts when Filip Mosz (Jerzy Stuhr) buys a little 8mm movie camera to film his new-born baby. Like a true enthusiast, Filip enters into the spirit of his new hobby, filming everything that moves and working on the material on a small editing suite. When he is commissioned by his boss to film a reception being held to commemorate the company’s 25th anniversary, he becomes aware of the pressures of outside expectations and even censorship. The film however gets entered into an amateur film festival and wins third prize (second prize really since none were judged good enough to win first prize!) and he soon finds himself caught up in the world of TV and film-making, helped by an attractive film producer. Suddenly he finds that his new hobby isn’t compatible with the responsibilities of bringing up a small child, nor is it compatible with the wishes of his employer. Continue reading