Krzysztof Kieslowski – Spokoj AKA The Calm AKA Peace (1976)

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Based on the short story A Step Beyond the Gate / Krok za brame by Lech Borski).
A television feature that is considered to have been one of the pioneering films in the cinema of moral anxiety. The story of worker Antoni Gralak who is released from prison and wishes to settle down to a calm life. He fails to find peace though he does find a woman to marry and a place to live. The realities of the Polish People’s Republic cause him to enter into conflict with his construction worker colleagues who decide at one point to organise a strike, and with the manager of the construction site who wishes to make an informer of him. These complications conclude tragically. Premiered on television in 1980. @culture.pl
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Jacek Koprowicz – Medium (1985)

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Suspenseful for most of its length, though a letdown at the end, this psychic thriller is about four very different people who are drawn to one particular place in the town of Sopot, a resort on the Baltic Sea. The time is 1933, and it so happens that 50 years earlier, a foul murder was committed here. Involved in that offense were four people who are dead-ringers for the four now gathering in Sopot. The modern versions of the four dead people are a police commissioner, a schoolteacher, a hunchback, and someone who just happens to be visiting from Berlin. As the police commissioner begins to gather evidence, he comes to the conclusion that this murder might just be a cyclical occurrence. Continue reading

Grzegorz Królikiewicz – Na wylot AKA Through and Through (1973)

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“Through and Through” is a legendary feature focusing on radicalization of cinematic language. The film transgresses traditional methods of narrative construction, which is characteristic of its genre. This non-conentional treatment of the cinematic form places this film somewhere between experimental art and cinema, in a domain that does not properly belong to either field. Krolikiewicz’s radical debut is representative of his parallel pursuits – as a filmmaker as well as film theorist – and employs his crucial theory of “out – of – frame cinematographic space.” The first film in his trilogy (together with Dancing Hawk and Endless Claims), which portray typical Polish anti-heroes imprisoned by reality, “Through and Through” criticizes the nihilism and depravity created by the socio-political system. Continue reading

Jerzy Kawalerowicz – Austeria aka The Inn (1983)

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WIki says
Austeria takes place during the opening days of World War I, in the Austro-Hungarian province of Galicia. Tag (Franciszek Pieczka) is a Jewish innkeeper whose inn (austeria means inn in the local Polish dialect) is located near the border with Russia. War has broken out and local civilians are fleeing the advancing Russian Army, and several groups of refugees have taken shelter in Tag’s inn for the night. A group of Hassidic jews from the neighboring village arrive, followed by an Austrian baroness on and a Hungarian hussar cut off from his unit… Continue reading

Jerzy Kawalerowicz – Pociag AKA Night Train (1959)

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Two strangers, Jerzy (Leon Niemczyk) and Marta (Lucyna Winnicka), accidentally end up holding tickets for the same sleeping chamber on an overnight train to the Baltic Sea coast. While handsome, well dressed and rather laconic, Jerzy seems ill at ease, while Marta is not talkative and would prefer to be alone. Staszek (Zbigniew Cybulski) is a student and Marta’s spurned lover, and will not leave her alone. When the police enter the train in search of a murderer on the lam, rumors fly and everything seems to point toward one of the main characters as the culprit. [spoiler removed from quote] Continue reading

Janusz Morgenstern – Do widzenia, do jutra aka See You Tomorrow; Good Bye, Till Tomorrow (1960)

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Excelent performance by Zbigniew Cybulski co-starring with Roman Polanski and others famous polish actors from the sixties and amaizing music by Krzysztof Komeda.

PLOT DESCRIPTION
In this routine story within a story from Poland, Jacek (Zbigniew Cybulski) is the head of a troupe of thespians and so he is responsible for getting together the material for them to act out on the stage. One day he meets Marguerite (Teresa Tuszynska), the charming and sophisticated daughter of a French diplomat, and his heart does flips. He longs to be with her but she herself is more sensible. What kind of a life would she have with an actor? His ultimate rejection leaves him ample time to mope around and be miserable. But then, Jacek the actor has to get another story ready for his troupe — and so was this sequence of love lost real — or another play for the troupe to perform?~ Eleanor Mannikka, All Movie Guide Continue reading