Marco Bellocchio – Marcia trionfale AKA Victory March (1976)

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Synopsis:
The drawbacks and difficulties of military life are explored in this film. Paolo Passeri (Michele Placido) is a college graduate, somewhat spoiled, somewhat effete, who finds himself in an officer training program under the stern martinet, Captain Asciutto (Franco Nero). He gradually becomes acclimated to the military mind-set, and when the Captain’s wife (Miou-Miou) decides to take a romantic interest in him, he does not report her dangerous peculiarities to anyone. Continue reading

Costa-Gavras – L’aveu AKA The Confession (1970)

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Quote:
Costa-Gavras might be the European filmmaker most influential on American directors of the 1970s. Although this honor often goes to Jean-Luc Godard and other compatriots of the Nouvelle Vague, films like The French Connection, The Parallax View, or Blow Out are most clearly engaged with a clamorous mode of political cinema that’s as fundamentally enraged as it is delicately assembled. Typically, Costa-Gavras’s Z is credited as the key film in this regard, not simply for its humanistic, injustice-as-thriller construction, but also for the way it “opened up critical perceptions,” as Armond White states it, for filmmaking’s lasting cultural effects. Such an assessment is backed by historical fact, but one would be remiss to overstate the terrain for Costa-Gavras, since none of the director’s subsequent films received a similar degree of accolades, either from filmmakers or critics. The neglect is easier to ascertain once it’s understood just how different The Confession is from its predecessor, a nearly two-and-a-half-hour film that shirks the frantic chase sequences of Z by dialing back its proceedings to a nearly singular setting, literally within the confines of Czechoslovakian torture camp, but more figuratively within the mind and body of Anton Ludvik (Yves Montand), a high-ranking communist official held prisoner by Stalinist extremists. Continue reading

Silvio Tendler – Os Anos JK – Uma Trajetoria Politica AKA The JK Years – A Political History (1980)

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PLOT SYNOPSIS
Documentary about Brazilian history, from 1945 until the 70s, focusing on president Juscelino Kubitschek, his political rise, his philosophy of economical development, his gigantic project of constructing a new capital city for the country, Brasília, in the middle of the jungle, and his last years, after the military takeover, when he was deprived of his political rights and went into a temporary exile. Continue reading

Tan Oral – Sansür AKA Censorship (1970)

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Quote:
A cameraman chases a white rabbit and comes upon police brutality. Recording it and screening the footage will result in immediate censorship. A murder of flying censorship scissors will cut the film to pieces. The cameraman will cut the tree on which the censorship scissors dwell, and a shoot comes up from the stump. The cameraman will record this shoot. Written by Turhan Karadeniz Continue reading

Serif Gören & Yilmaz Güney – Endise AKA Anxiety (1974)

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Synopsis:
This is the story of Cevher and his family, who all work in cotton fields in late seventies in Turkey. Cevher has to pay blood money to save his life. He even considers getting his daughter married to a rich and old guy. And on the cotton fields, they have to compete with machines, which are preferred to human workers. Eventually, workers unite and go on strike. Continue reading

Andrzej Wajda – Walesa. Czlowiek z nadziei AKA Walesa: Man of Hope (2013)

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The depiction of the life of Nobel Peace Prize winner and founder of Poland’s Solidarity movement, Lech Walesa, as events in the 1970s lead to a peaceful revolution.

Quote:
Wałęsa, an electrician at the Gdańsk Shipyards, participated in local demonstrations during the 1970s. Following the bloody aftermath, which remains with Wałęsa, he concentrates on his day-to-day duties. Ten years later, a new uprising occurs and he becomes an unexpected and charismatic leader of Polish dockworkers. Continue reading

Kôji Wakamatsu – Jitsuroku Rengo Sekigun: Asama sanso e no michi AKA United Red Army (2007)

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In a stark depiction of the dissatisfaction that followed the demise of 60’s idealism, United Red Army follows the story of the titular leftwing Japanese terrorist group that came together in 1972 as two pre-existing groups merged. Interspersed with large amounts of archival footage and employing a semi-pseudo-documentary style, the film visits upon the key historical figures and events that led to the United Red Army eventually purging much of its membership, leading five student radicalists to hole up in the Asano mountain lodge in Nagano Prefecture in a standoff against the police. Continue reading