Gérard has been a loyal supporter of communism for all his adult life, serving in the French Resistance during the Second World War and supporting the civil war in Spain. Now, in 1951, he is the deputy minister for foreign affairs in Czechoslovakia. One day, he discovers that he is being followed, and, shortly after he is arrested and taken away to a makeshift prison. Without knowing why he has been arrested or who his captors are, Gérard is ordered to confess to his crimes against the State… Continue reading
At a “half-open” detention facility and work camp on the island of Imrali, a group of hopeful, but resigned men ritualistically converge on the entrance of the main penitentiary ward: first, for the disbursement of weekly mail and subsequently, for the eagerly anticipated posting of the list of prisoners authorized for a one-week furlough. A soft-spoken, unassuming man named Yusuf (Tuncay Akça), dispirited by the scarcity of letters from home, seemingly finds his fortune changed when he finds his name among the privileged list of furloughed prisoners. Mehmet (Halil Ergün), a pensive and conflicted man faces his trip to Diyarbakir with great trepidation and anxiety, having found his marriage increasingly strained when his wife begins to question his role in her brother’s death during a bungled robbery.
A vibrant and self-assured young man, Mevlat (Hikmet Çelik), finds his romantic notions to reunite with his fiancée Meral (Sevda Aktolga) thwarted when her family dispatches chaperones in order to prevent the couple from being alone. An idealistic and apolitical man named Omer (Necmettin Çobanoglu) who daydreams of his idyllic life amid the lush, grazing open fields of his beloved village in south-eastern Turkey returns home to the chaotic sight of his town under siege by the military as they attempt to root out suspected insurgents in the closely knit community. Continue reading
All the King’s Men is a 1949 drama film based on the Robert Penn Warren novel of the same name. It was directed by Robert Rossen and starred Broderick Crawford in the role of Willie Stark.
Jack Burden is a newspaper reporter who first hears of Willie Stark when his editor sends him to Kanoma County to cover the man. What’s special about this nobody running for county treasurer? He’s supposedly an honest man. Burden discovers this to be true when he sees Stark delivering a speech and having his son pass out handbills, while the local politicians do their best to intimidate him. Willie Stark is honest and brave. He’s also a know-nothing hick whose schoolteacher wife has given him what little education he has. Stark loses the race for treasurer, but later makes his way through law school, becoming an idealistic attorney who fights for what is good. Someone in the governor’s employ remembers Stark when the governor needs a patsy to run against him and split the vote of his rival. The fat cats underestimate Stark; but Jack Burden, Stark’s biggest supporter, overestimates the man’s idealism. To get where he wants to go, Willie Stark is willing to crack a few eggs – which include his tough-talking assistant, Sadie Burke; Jack’s poised and elegant fiancée, Anne Stanton; and even Jack Burden himself.
– Written by J. Spurlin @ IMDB Continue reading
In 1920, the anarchist Italian immigrants Niccola Sacco (Riccardo Cucciolla) and Bartolomeo Vanzetti (Gian Maria Volonté) are sentenced to death, falsely accused of a robbery and murder. Indeed they are condemned due to their political beliefs, in one of the most shameful and hypocrite judgments of the human history. Continue reading
Two of the most venerable figures on the American Left – Howard Zinn and Noam Chomsky – converse with Sasha Lilley about their lives and political philosophies, looking back at eight decades of struggle and theoretical debate.
Howard Zinn, interviewed shortly before his death, reflects on the genesis of his politics, from the Civil Rights and anti-Vietnam war movements to opposing empire today, as well as history, art and activism.
Noam Chomsky discusses the evolution of his libertarian socialist ideals since childhood, his vision for a future post-capitalist society, and his views on the state, science, the Enlightenment, and the future of the planet.
Take a compelling look at the point where religious fanaticism gives way to murderous intent as politically-minded filmmaker Pierre Rehov explores the mind and motivations of the contemporary Middle Eastern suicide bomber. Though interviews with both the families of successful suicide bombers and would-be suicide bombers who attempts to achieve martyrdom were somehow thwarted, Rehov probes his subjects to get answers that are often as surprising as they are shocking.
Jason Buchanan, All Movie Guide
Banned until very recently, Arteche’s clandestine documentary chronicles a group of students’ movements in Mexico in 1968.
On July 22, 1968, two rival groups of male adolescent students fought each other in the Ciudadela neighbourhood of Mexico City; the next day the city government responded by sending policemen to stop the accompanying vandalism and to arrest the perpetrators. These riot police (granaderos) attacked the students so ferociously that protests were lodged. No one could have foreseen that both of these testosterone-driven events were the opening scene of the drama of the 1968 University-State conflict which climaxed in the Tlatelolco massacre.