A 2012 Chilean drama film directed by Pablo Larraín. The film is based on the unpublished play El Plebiscito, written by Antonio Skármeta. Mexican actor Gael García Bernal plays René, an in-demand advertising man working in Chile in the late 1980s. The historical moment the film captures is when advertising tactics came to be widely used in political campaigns. The campaign in question was the historic 1988 plebiscite of the Chilean citizenry over whether general Augusto Pinochet should have another 8-year term as President.
At the 85th Academy Awards the film was nominated for the Best Foreign Language Film Oscar. Continue reading
Part One: Such Such Were the Joys
‘From a very early age, perhaps the age of 5 or 6, I knew that when I grew up I should be a writer …One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand.’
George Orwell is one of the greatest writers England has produced. Tonight and for the next four nights Arena presents a unique full-scale portrait of this remarkable man, filmed in the places where he lived and worked and told in his own words and the words of those who knew him.
The first programme traces Orwell’s upbringing in a sedate middle-class home near Henley, his horrific experiences at preparatory school, his years at Eton and as a military policeman in Burma – and closes with his sudden and dramatic emergence as a writer with Down and Out in Paris and London, a book drawn from his experiences among vagrants, tramps and outcasts. Among those appearing are Jacintha Buddicon Sir John Grotrion, Malcolm Muggeridge Cyril Connolly and Professor Bernard Crick Continue reading
the AMG clerk wrote :
“Exploring a dystopian future which has parallels to those found in Brazil, Fahrenheit 451, and 1984, this film, tells of a place where a military junta has taken control and requires people to think, speak, and act in precise ways: anyone who fails to do so is killed. The story is told entirely without the use of spoken dialogue. Symbolic imagery replaces much of what would have been spoken in a narrative, establishing the situation and setting. In the story, two brothers are part of an underground organization opposed to the totalitarian regime. Members of the underground identify themselves using pieces of torn photographs. Reviewers found that the story is told intelligibly and quite swiftly, despite the absence of dialog, but is not quite lively enough to satisfy action buffs.” Continue reading
The story of the legendary King Ludwig II of Bavaria (1845-1886), his opera interest and friendship with theatre personalities such as Richard Wagner and Joseph Kainz, and at the same time a reflection of the German 1800s. Continue reading
Director Hans-Jurgen Syberberg examines the rise and fall of the Third Reich in this brooding seven-hour masterpiece, which incorporates puppetry, rear-screen projection, and a Wagnerian score into a singular epic vision. Syberberg, who grew up under Nazi tyranny, ruminates on good and evil and the rest of humanity’s complicity in the horrors of the holocaust. Continue reading
AN INJURY TO ONE provides a corrective—and absolutely compelling—glimpse of a particularly volatile moment in early 20th century American labor history: the rise and fall of Butte, Montana. Specifically, it chronicles the mysterious death of Wobbly organizer Frank Little, a story whose grisly details have taken on a legendary status in the state. Much of the extant evidence is inscribed upon the landscape of Butte and its surroundings. Thus, a connection is drawn between the unsolved murder of Little, and the attempted murder of the town itself. Continue reading
“French companies never seemed to learn that Godard would never make anything like a traditional advertisement, so when the Darty appliance chain commissioned a pub from the mischievous director, they were in for trouble: a daring deconstruction of consumerism, rejected by its funders.” Continue reading