Alberto Seixas Santos – Brandos Costumes AKA Gentle Costume AKA Gentle Morals (1975)

1agiFQ Alberto Seixas Santos   Brandos Costumes AKA Gentle Costume AKA Gentle Morals (1975)

29f7c043f76a2bde437fd0d52a185152 Alberto Seixas Santos   Brandos Costumes AKA Gentle Costume AKA Gentle Morals (1975)

Synopsis:
Portrait of the everyday life of a typical middle-class family in parallel with the fall of the “Estado Novo”, the 48-year dictatorship led by Salazar. The daughters’ conflicts and frustrations with their parents, their grandmother and their maid find an obvious echo in the country’s collective events. Continue reading

Antonio Reis & Margarida Cordeiro – Trás-os-Montes (1976)

 Antonio Reis & Margarida Cordeiro   Trás os Montes (1976)

29f7c043f76a2bde437fd0d52a185152 Antonio Reis & Margarida Cordeiro   Trás os Montes (1976)

Synopsis
Evocation of a province, the Northeast Portuguese, whose historical roots, secular, not confuse the country’s brother, the Douro league.
Children and mothers, women and children, house and land. Daily life, imagination, disappearing arts, the subsistence agriculture. Erosion. The time and distance. The absent presence of the departed to all horizons. Continue reading

João Rui Guerra da Mata, João Pedro Rodrigues – A Última Vez Que Vi Macau (2012)

 João Rui Guerra da Mata, João Pedro Rodrigues    A Última Vez Que Vi Macau (2012)

thgc João Rui Guerra da Mata, João Pedro Rodrigues    A Última Vez Que Vi Macau (2012)

Two filmmakers leave to Macao in an adventure of discovery of a city-labyrinth, multicultural and mysterious, where the memories of the childhood – featured memories by the lived reality in Macao – have a dialog with the memories of the East built by the codes of the cinema and the literature – memories lived on a featured reality-, creating a testimony which tries to raise the veil on the past and the present time. A personal album of physical and emotional geography, structured as an investigation disguised as a thriller, where the puzzle of the history challenges the reality. Continue reading

Valeria Sarmiento – Linhas de Wellington AKA Wellington Lines [Theatrical Cut] (2012)

2d7hut1 Valeria Sarmiento   Linhas de Wellington AKA Wellington Lines [Theatrical Cut] (2012)

29f7c043f76a2bde437fd0d52a185152 Valeria Sarmiento   Linhas de Wellington AKA Wellington Lines [Theatrical Cut] (2012)

Synopsis
On September 27, 1810, the French troops commanded by Marshal Massena, were defeated in the Serra do Buçaco by the Anglo-Portuguese army of general Wellington.

Despite the victory, Portuguese and British are forced to retreat from the enemy, numerically superior, in order to attract them to Torres Vedras, where Wellington had built fortified lines hardly surmountable.

Simultaneously, the Anglo-Portuguese command organizes the evacuation of the entire territory between the battlefield and the lines of Torres Vedras, a gigantic burned land operation, which prevents the French from collecting supplies.

This is the setting for the adventures of a multitude of characters from all social backgrounds – soldiers and civilians, men, women and children, young and old – to the daily routine torn by war and dragged through hills and valleys, between ruined villages, charred forests and devastated crops. Continue reading

Hugo Vieira da Silva – Body Rice (2006)

bodyrice210360776large Hugo Vieira da Silva   Body Rice (2006)

29f7c043f76a2bde437fd0d52a185152 Hugo Vieira da Silva   Body Rice (2006)

From Variety:

An Atalanta Filmes release (in Portugal) of a Paolo Branco presentation of a Clap Filmes production. (International sales: Madragoa Filmes, Lisbon.) Produced by Paolo Branco. Directed, written by Hugo Vieira da Silva.

With: Sylta Fee Wegmann, Alice Dwyer, Julika Jenkins, Andre Hennicke, Pedro Hestnes, Luis Guerra, Luis Soveral.
(German, Portuguese dialogue)

Portuguese filmmaker Hugo Vieira da Silva makes a bold transition from doc shorts to “Body Rice,” a debut feature that skirts the edges of narrative and palpably conveys the drift and anomie of young Germans sent to an “alternative” community in southern Portugal. Local January opening spawned a public debate over the pic, and wide fest embrace (including prizes in Locarno and Mexico City) will lead to further notoriety and possible arthouse distrib buys. Continue reading

pixel Hugo Vieira da Silva   Body Rice (2006)