Jérôme Reybaud – Jours de France AKA Four Days in France (2016)

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Disillusioned with his life in Paris, Pierre Tomas drops everything to travel through France. Via phone numbers written in bathroom stalls, coincidental rendezvous, and Grindr, a smartphone app, Pierre never ceases to find a parking spot for the car he so dearly maneuvers. As he wanders the country for four days and four nights, his lover, Paul, will try to find him, using the same app that compasses Pierre. In a game of absurdist cat and mouse, these two lovers try, in their own ways, to find their way back to one another. Continue reading

Marco Berger & Martín Farina – Taekwondo (2016)

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In a picturesque country house in Buenos Aires, Fernando gathers his mates for a boys-only vacation. Free from work, responsibilities and their girlfriends, this close-knit gang of bros kick back by the pool, sunning their impeccably toned bodies and sharing pot-fuelled stories of sexual conquests. The guys have known each other for years, only this time Fernando has brought with him newcomer Germán, a friend from his taekwondo class, who neglects to tell the group that he’s gay. As the lazy summer days disappear, the connection between Fernando and Germán grows and slowly the boundaries of their relationship begin to blur. A veritable masterclass in will-they-won’t-they suspense, this gloriously protracted, beautifully nuanced tease is both wantonly titillating and disarmingly sweet. Working with co-director Martín Farina, Marco Berger’s inquisitive camera luxuriates in the homoerotics of this male-centric milieu, lingering longingly over the semi-clad bodies with unapologetic gay abandon. Continue reading

Jean Cocteau – Orphée AKA Orpheus [+commentary] (1950)

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Jean Cocteau died on October 11, 1963, the same exact day that his longtime friend, the French chanteuse Edith Piaf, succumbed to liver cancer not all that far away. Some have even speculated that the news of Piaf’s death was what spurred the heart attack that claimed Cocteau, a beautiful, if melancholic coincidence, if we are to put our full faith into what’s ostensibly rumor, seeing as the famed poet, theater director, and filmmaker often remarked that he was more scared of the deaths of his loved ones than he was of his own inevitable demise. Continue reading

Edgardo Castro – La noche (2016)

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Gritty journey through the sexual underbelly of Buenos Aires, with graphic depictions of the highs and lows in one man’s quest for intimacy.

The story tells, from an accentuated hyper-realistic aesthetic, the life of Martin, a man in his forties who is desperately lonely and seeks, through sex, some company, to spend that time of which nothing seems to be expected. Under this constant desolation, he finds in cocaine, alcohol and in some other orgy a state of momentary pleasure every night. Continue reading

Christopher Hampton – Carrington (1995)

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Frail, intellectual Bloomsburyan Lytton Strachey is the unlikely hero for a movie, but congratulations to writer-director Christopher Hampton for making the essayist an elitist everyone can love.
Based on Michael Holroyd’s Strachey biography,
“Carrington” is ostensibly about Dora Carrington, an iconoclastic English painter who had the bad luck to fall irretrievably in love with Strachey, a confirmed homosexual. During their 17-year relationship that lasted until his death in 1932, they managed to live together happily, mostly platonically, sometimes sharing male lovers (one of whom would marry Carrington), but with Carrington often yearning for the sexual comfort Strachey could never fully offer. Continue reading

Alex Anwandter – Nunca vas a estar solo AKA You’ll Never Be Alone (2016)

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First feature film directed by Alex Anwandter and based on a true story.

You’ll never be alone tells the story of Juan, a withdrawn manager at a mannequin factory who after his teenage gay son suffers a violent attack, struggles between paying his son’s exorbitant medical bills and his last attempt at becoming partners with his boss. As he runs into dead-ends and unexpected betrayals, he’ll discover the world he knew was already waiting to be violent with him too.

Teddy special jury prize ensures “Alone” has embraced by the queer film circuit to critical acclaim. Continue reading