The story of three close friends who are involved in a love-triangle.
Francis et Marie, deux amis, tombent amoureux de la même personne. Leur trio va rapidement se transformer en relation malsaine où chacun va tenter d’interpréter à sa manière les mots et gestes de celui qu’il aime… Continue reading
“Teenager Hubert haughtily regards his mother with contempt, and only sees her tacky sweaters and kitsch decorations. In addition to these irritating surface details, there is also his parent’s cherished mechanisms of manipulation and guilt. Confused by this love/hate relationship that obsesses him more and more each day, Hubert drifts through the mysteries of adolescence – artistic discoveries, illicit experiences, the opening-up to friendship, and ostracism. The turbulent relationship between mother and son unfolds with a compelling combination of savage fury and melting affection. The stunning, semi-autobiographical directing debut of 20-year-old actor Xavier Dolan.” – Warsaw Film Festival Continue reading
ECSTASY IN BERLIN, 1926
2004 in b&w and tinted
A film by Maria Beatty
Duration: 45 minutes
Starring: Sonya Sovereign and Paula Rosengarthen
Music by Nick Holmes
THIS DECADENT AND LUMINOUS FILM IS A NEW ACHIEVEMENT IN THE REALM OF EROTICA!
A golden Weimar beauty slips a needle into her creamy thigh, and while in her euphoria slips into erotic fantasy. It begins with a white-gloved hand at her throat, emphasizing her vulnerability and surrender, followed by a lingering, deliciously thorough kiss from a stunning and powerful woman. She drifts through a variety of exotic experiences, all made possible by her dazzling submission and her partner’s absolute command. Her perfect flesh is alternately spanked and caressed, her lips kissed and then forced to worship a fine leather boot. She dreams of being strictly corseted, whipped, and bound, and led to a glowing, graphic climax.
Both delicately sensual and sexually intense, it conveys all the dangerous rewards of passion indulged. To enjoy “Ecstasy in Berlin 1926” is to experience the delirious, consuming, and glorious fever of obsession itself. Continue reading
German filmmaker Vincent Dieutre is accompanied by a close friend’s teenage son on a trip to Berlin and in the process reminisces about his life as a gay man in his 2003 autobiographical documentary entitled Mon Voyage d’Hiver (My Voyage in Winter). Dieutre and his traveling companion, Itvan, visit numerous friends and landmarks, all holding special meaning to the 40-year-old filmmaker as they make their way to the German capital. As the pair grows closer as friends, Dieutre also takes on a paternalistic relationship with the boy as he details his own journey of self discovery — partially to assist Itvan with his own adult transformation, but also as a means for Dieutre’s own legacy to endure. My Voyage in Winter was selected for inclusion into the Forum Program of the 2003 Berlin International Film Festival.
~ Ryan Shriver, All Movie Guide Continue reading
Description: “The absolute last word on visual addiction, ARREBATO is a fascinating Spanish cult film. Drugs, vampirism and uncontrollable film fanaticism all figure into this little seen classic that bears quite a few similarities to David Cronenberg’s VIDEODROME, which it predated by five years.
Completed in 1979, ARREBATO is probably the most famous Spanish cult movie of all time. It’s been largely inaccessible in the years since its extremely limited original release and so has developed quite a mystique.
The story: Jose is a filmmaker putting the finishing touches on his latest production, a schlocky vampire picture. Feeling supremely dissatisfied with his vocation and heroin addicted girlfriend Ana, he arrives back at his apartment to discover a package from his friend Pedro. It contains a reel of super 8mm film, an audiotape and a key to Pedro’s apartment. Continue reading
I warned you once. You didn’t
listen. Now you’re through.
– Through with what?
– The casino. You’re fired.
You are mistaken. I will be here
after you are gone, Mr. Peasant.
In Argentina, Johnny Farrell (Glenn Ford) wins money at dice and is held up; but Ballin Mundson (George Macready) rescues him with a sword-cane and recommends a gambling club. Johnny goes there and wins at blackjack. Ballin is the owner and tells him to leave, but Johnny hits back at his thug Casey (Joe Sawyer) and asks for a job. People celebrate the end of the war, and Ballin puts Johnny in charge while he is away… Continue reading
There’s nothing so comforting as the florid straightforwardness of an Almodovar movie. “All About My Mother,” the Spanish director’s latest, is unapologetically passionate in the manner of his early movies like “Matador” and “Law of Desire,” and willfully unhinged like “Women on the Verge of a Nervous Breakdown.”
But “All About My Mother” cuts deeper than any of those movies. Like classic women’s pictures of the ’40s, it’s staunchly committed to the spirit of melodrama: There are tragic accidents that tear lives apart, impossible love affairs with dire consequences, people whose seemingly cold hearts reveal surprisingly warm recesses and, at the movie’s center, a man whose natural charisma spells trouble with a capital T.
And mostly, of course, “All About My Mother” is about the essential nature of motherhood — not the soft suburban American momhood in movies like “The Story of Us,” pictures where frazzled women are constantly dropping their kids off at soccer practice, their commitment to life’s chores like merit badges proving their love. In “All About My Mother,” a 38-year-old woman (Cecilia Roth) watches as her teenage son is hit by a car; when she runs to him and crouches over him in the rain, we see her sideways, tilted and blurry, from his fading point of view. Her red raincoat, which had seemed monumentally cheerful just moments before, is already a reproach, a useless remnant of what her life used to be. Continue reading