A young man and woman meet on a train in Europe, and wind up spending one romantic evening together in Vienna. Unfortunately, both know that this will probably be their only night together. Read More »
When “Before Sunrise” was released in January of 1995, it came and went in theatres, receiving some acclaim before being relegated to the video shelves, doomed to be forgotten like so many films, without making much of an impact. Read More »
The plotline follows separate subplots that all coalesce around the meatpacking industry. From the meat company executive sent to investigate charges of shoddy processing, to the processing plant use of illegal immigrant labor, to all the lives that are collaterally touched by each participant in the food chain, the movie examines the entire US ethic of providing a packaged experience better, faster, and cheaper. The movie does not leave out gory details, but instead lets the viewer decide what the end result should be by providing no neat conclusions, nor happy endings, but more importantly imparts a series of possible topics for discussion with a background of how the problem developed and the interdependent parties involved. In total, the film could easily be shown as an instructional video for a college level course in corporate responsibility.
Author: risserob Read More »
It’s too long into “Before Sunset” that we see Jesse (Ethan Hawke) and Celine (Julie Delpy) reunited after nine years…and it’s only two or three minutes into the movie. In 1995, Hawke and Delpy starred as the characters in “Before Sunrise,” a film co-written and directed by Richard Linklater (“School of Rock,” “Waking Life”) about two 20-something students who meet on a train travelling across Europe, and spend an evening in Vienna just talking, making a connection that transcends mere physical attraction, though clearly one exists. At the end of “Sunrise,” they promise to meet up again in six months. Read More »
Richard Linklater’s Slacker presents a day in the life of a subculture of marginal, eccentric, and overeducated citizens in and around the University of Texas at Austin. Shooting the film on 16mm for a mere $23,000, writer/producer/director Linklater and his close-knit crew of friends eschewed a traditional plot, choosing instead to employ long takes and fluid transitions to create a tapestry of over a hundred characters, each as unique as the last, culminating in an episodic portrait of a distinct vernacular culture and a tribute to bohemian cerebration. Slacker is a prescient look at an emerging generation of aggressive nonparticipants, and one of the keynote films of the American independent film movement of the 1990s. Read More »
Richard Linklater returned to the semi-improvised approach and philosophical themes of his debut feature Slacker while embracing a new and groundbreaking visual technology in his sixth feature film, Waking Life. Linklater and cameraman Tommy Pallotta shot the film on location in Austin, TX, using digital video equipment. Linklater and digital animator Bob Sabiston then used newly developed computer software to transform the images through a process called “interpolated rotoscoping”; the result merges the naturalism of live action with a stylized look that resembles a cartoon or a painting in motion. Waking Life’s flexible, non-narrative approach follows a young man (Wiley Wiggins) who arrives in Austin and hitches a ride with a stranger, who engages him in a conversation about rarely considered facets of existentialism. As the visitor drifts through the city, he encounters a variety of people and finds himself absorbing their views on art, philosophy, society, and numerous other issues of contemporary life. Linklater’s cast is dotted with well-known actors (Ethan Hawke, Julie Delpy, Adam Goldberg, Nicky Katt) and pop-culture notables (filmmaker Steven Soderbergh, Martin Scorsese associate Steven Prince, comic Louis Black), alongside a large number of relatively little-known players. Waking Life received its world premiere at the 2001 Sundance Film Festival; Linklater’s next film, Tape, was also screened at the same festival.by Mark Deming Read More »