Robert Frank – Last Supper (1992)

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Quote:
‘Exterminating Angel’

‘Parts of Last Supper resemble an educational film with directions for its use. It deals with the impossibility of depicting something. Is it about the impossibility of depicting something? What is real? What is staged? What can be staged by coincidence? And which reality does a video camera record?
‘Guests arrive at a vacant lot in New York, which is surrounded by rundown apartment buildings. The host is a writer, and he intends to celebrate the publication of his latest book with his friends and acquaintances. A buffet has been laid out. Waiting for the writer. Waiting for Godot. He fails to show up. This level of the film is constructed in the same way as a theatrical work. The dialogues seem holographic: almost every quotable phrase reflects the meaning of the entire statement. Continue reading

Robert Frank – Cocksucker Blues [+Extras] (1972)

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Plot Outline :
With Cocksucker Blues, Frank bids a final adieu to the utopia of the Beat generation. What did the Rolling Stones expect when they hired him to make a film about their 1972 North American tour? There are scenes of groupie sex in private jets, cocaine snorting, and even a masturbation scene in which Jagger reveals himself to be the cameraman in a reflected image.

But ultimately Frank focuses on the lonely spaces that permeate the rock and roll machine. This is the ultimate direct cinema. The camera movement infects the images with an unbelievable filmic energy, and Frank ignores all orientation guidelines. Populated by the living dead, Cocksucker Blues is a zombie film with no refuge. Continue reading