Todd Wiener writes:
In his directorial debut, former editor Robert Parrish skillfully illuminates screenwriter Bill Bowers’ equally acerbic and droll Cry Danger into an underappreciated noir gem.
Even though this Jerome Cady story was originally purchased by Humphrey Bogart’s Santana Pictures, the film ended up being the only release by Olympic Productions. The tersely pitch-perfect Dick Powell portrays protagonist ex-convict Rocky Mulloy who returns to Los Angeles to find the gang that framed him for a crime he did not commit. Aided by a hard-drinking, crippled ex-marine (brilliantly realized by Richard Erdman), Mulloy sets up home-base at a Bunker Hill trailer camp that is home to his ex-girlfriend Nancy, played by the graceful Rhonda Fleming. Fleming, who was on loan from David O. Selznick’s company for this project, underwent an emergency appendectomy that initially held up the film’s very tight twenty-two day shooting schedule. Read More »