A tale of five young Berliners – a taxi driver, a travelling wine dealer, a record shop sales girl, a film extra and a model – spending a typical sunday. In this vivid snapshot of Berlin life, a trip to the countryside reveals the flirtations, rivalries, jealousies, and petty irritations common to any group outing. All too soon it is the end of the day, and the prospect of Monday looms, and the return to weekday routine.
Considered one of the most important works of the German film Avant-Garde of the 1920s, and a huge influence on the French New Wave and Italian Neorealist movements, People on Sunday also marked the start of the film careers of six cinéastes who would go on to great success: Billy Wilder, Robert and Curt Siodmak, Edgar G Ulmer, Eugen Schüfftan and Fred Zinnemann.
The original negative of the film is lost and no complete copy exists, but this restored version has been reconstructed by the Netherlands Film Museum and contains important scenes previously missing. This version also features a vibrant new score by Elena Kats-Chernin. Continue reading Robert Siodmak & Edgar G. Ulmer & Billy Wilder – Menschen am Sonntag (1930)