Roger Corman

Roger Corman – Pit and the Pendulum (1961)

Synopsis:
Francis Barnard goes to Spain, when he hears his sister Elizabeth has died. Her husband Nicholas Medina, the son of the brutest torturer of the Spanish Inquisition, tells him she has died of a blood disease, but Francis finds this hard to believe. After some investigating he finds out that it was extreme fear that was fatal to his sister and that she may have been buried alive! Strange things then start to happen in the Medina castle. Read More »

Roger Corman – Premature Burial (1962)

Synopsis:
Emily Gault arrives at the Carrell mansion determined to rekindle an old relationship with Guy Carrell, despite the disapproval of his sister, Kate. Guy overcomes his all-consuming fear of being buried alive long enough to marry Emily but soon becomes obsessed again, building a crypt designed to guarantee that he will not fall prey to his most dreaded nightmare. Trying to prove that he has been cured of his phobia, he opens his father’s tomb and is shocked into a catatonic state. His worst fears are realized as he is lowered into a grave and covered over, apparently never to learn that the treachery of someone very dear to him was directly responsible for his predicament. Read More »

Roger Corman – House of Usher AKA The Fall of the House of Usher (1960)

Synopsis:
After a long journey, Philip arrives at the Usher mansion seeking his loved one, Madeline. Upon arriving, however, he discovers that Madeline and her brother Roderick Usher have been afflicted with a mysterious malady: Roderick’s senses have become painfully acute, while Madeline has become catatonic. That evening, Roderick tells his guest of an old Usher family curse: any time there has been more than one Usher child, all of the siblings have gone insane and died horrible deaths. As the days wear on, the effects of the curse reach their terrifying climax. Read More »

Roger Corman – Tales of Terror (1962) (HD)

Quote:
A capital summarization of Roger Corman’s Poe cycle. The model is L’Amore, the meditation on the director’s art in contrasting moods addressed by the actor — Magnani playing urbane and then peasant for Rossellini, Vincent Price fitting Corman’s sense of the grotesque into august and absurdist guises. Morella, the first tale, gives a deft synthesis of House of Usher and The Pit and the Pendulum. Maggie Pierce enters a crumbling castle, inside are tarantulas in crimson chalices and a cake wrapped in cobwebs, Price is her grief-consumed father, her dead mother (Leona Gage) looms in spirit (an overseeing portrait) and in the flesh (a mummy in the boudoir); the vengeful past averts family healing, so the climax mates incest with necrophilia amid the flames. Read More »

Roger Corman – The Terror (1963)

Synopsis:
Lt. Duvalier (Jack Nicholson), a French soldier, loses contact with his unit and is forced to wander alone near the Baltic Sea. While in search of his regiment, he spies Helene (Sandra Knight), a mysterious beauty, walking by herself. Mesmerized, Duvalier begins tracking her, but she vanishes. He later catches up with her and follows her into a castle, where he encounters the bizarre Baron Von Leppe (Boris Karloff), finds signs of witchcraft and learns the shocking truth about Helene. Read More »

Roger Corman – X AKA X: The Man with the X-Ray Eyes (1963)

Quote:
A doctor uses special eye drops to give himself x-ray vision, but the new power has disastrous consequences. Read More »