“Buebchen” is the german word for “Little Boy”. The film was also released under the title “Little Vampire” which doesn’t make any sense at all.
In a german suburb a babysitter is too busy with her own teenage business and leaves a boy with his little sister alone. Then the girl is missing. The only way the family and society are able to deal with the horror is to ignore it and hide the truth in the closet.
A sharp study of german middle class society in the late 60s.
“DEADLOCK is fantastic. A bizarre, glowing film.” – Alejandro Jodorowsky
WARNING: SPOILERS AHEAD!
A Sort Of Modern German Version Of “The Good, The Bad, And The Ugly”, 11 September 2000
Author: jlabine von San Francisco
In 1970, it seems as if Roland Klick set out to emulate Sergio Leone’s “The Good, The Bad, And The Ugly”, mixing it with Michelangelo Antonioni’s “Zabriskie Point” to create a modern Sauerkraut Western (without horses, but rather a truck and a car). The story stars three characters, Marquard Bohm as the “Kid” (The Good), Siegurd Fitzek as “Mr. Sunshine” (The Bad), and Mario Adorf (can be seen in Dario Argento’s “The Bird With The Crystal Plumage” as the reclusive cat eating painter) as “Mr. Dump” (The Ugly) (who again plays a reclusive man who lives in a dump??). The story begins with the Kid, who has just pulled off a heist (with a bullet wound in the arm), and is carrying millions of dollars in a case. Wandering aimlessly through the sunbaked desert, (he finally passes out and is left for dead) until Mr. Dump drives along and finds him and the money. Once back at Mr. Dump’s residence (a sort of abandoned junk yard), the Kid warns Mr. Dump, that Mr. Sunshine (who apparently is the ringleader of this heist) will be coming for his money. Thus begins the cat and mouse story, of who will get the case of money. Mr. Dump also has two neighbors, an older (and apparently sexually crazy) woman and her pretty (but feral) daughter (who is obviously sexually curious of the Kid).