IMDb Description: A painfully shy noodle-shop owner and a prostitute have a chance encounter when destiny arrives in the form of a car accident.
In terms of raw power, the new Singaporean film “Mee Pok Man” can be described as “Taxi Driver” without the latter’s cathartic violence and Scorsese’s visual pizzazz. Eric Khoo makes an impressive directorial debut in a rather depressing tale of two alienated youths whose lives fatefully intertwine. Though damaged by a last reel that is unnecessarily long and a bit indulgent, pic deserves berths in festivals and perhaps even limited theatrical release if only for its novelty, being a rare export from Singapore.
The lead performers, Joe Ng as the slow-witted man and Goh as the world-weary prostitute, are decently credible if not totally engrossing. Still, pic’s overall impact is disturbing, showcasing a new director who is seriously intent on documenting the malaise of contemporary life in Singapore. Continue reading
The Budapest department store run by Hugo Matuschek (Frank Morgan) is a happy little society of salesclerks, where assistant manager Alfred Kralik (James Stewart) and salesgirl Klara Novak (Margaret Sullavan) don’t at all see eye to eye. But in secret pen-pal letters they’re madly in love with one another, each hardly guessing who their mysterious secret admirer might be.
The Shop Around the Corner
Ernst Lubitsch is offering some attractive screen merchandise in “The Shop Around the Corner” which opened at the Music Hall yesterday. “Ninotchka” appears to have used up his supply of hearty comedy for the time at least, but his sense of humor is inexhaustible. He has employed it to brighten the shelves where his tidy Continental romance is stored and, among the bric-à-brac, there are several fragile scenes which he is handling with his usual delicacy and charm, assisted by a friendly staff of sales-people who are going under resoundingly Hungarian names, but remind us strangely of Margaret Sullavan, James Stewart, Frank Morgan and Joseph Schildkraut. All told, they make “The Shop Around the Corner” a pleasant place to browse in. Continue reading
It’s the 1930s. The Republic Day Ball is in progress in Zonguldak, a coal mining town in Turkey. Among the invited guests are the newcomers to this small and boring town: Halit, a mine engineer; his gorgeous wife, Mükerrem; and Halit’s sister and unwanted household member, Seniha. When Nüshet, whose father is the richest man in town, asks Mükerrem for a dance, Seniha, who has been watching them from a dark corner, immediately realizes that Mükerrem will not be able to resist the incredible (and feminine) beauty of this young man. At the same moment, she also knows that God would lift her up from the place where she has long surrendered to a fate of ugliness, to a place where she would be the one who determines the destiny of beauty. Continue reading
John Huston’s last film is a labor of love at several levels: an adaptation of perhaps one of the greatest pieces of English-language literature by one of Huston’s favorite authors, James Joyce; a love letter to the land of his ancestors and the country where his children grew up; and the chance to work with his screenwriter son Tony and his actress daughter Anjelica. The film is delicate and unhurried, detailing a Christmas dinner at the house of two spinster musician sisters and their niece in turn-of-the-century Ireland, attended by friends and family. Among the visiting attendees are the sisters’ nephew Gabriel Conroy and his wife Gretta. The evening’s reminiscences bring up melancholy memories for Gretta concerning her first, long-lost love when she was a girl in rural Galway. Her recounting of this tragic love to Gabriel brings him to an epiphany: he learns the difference between mere existence and living. The all-Irish cast and careful period detail give the piece richness and gravity, and Donal McCann and Anjelica Huston are unforgettable as the Conroys. Continue reading
Here are some reviews:
from N.Y. times:
Although it is inspired by Old Testament law, “I Love You Rosa,” the Israeli-made nominee for an Oscar that arrived at the Little Carnegie yesterday, happily doesn’t exude the mustiness of a period piece. Despite a slow, measured pace and a soap opera note or two, this gentle but perceptive examination of a decidedly unusual affair that happens to be set in Jerusalem of the eighteen-eighties is as sentimental as genuine love and as up to date as the women’s liberation movement.
In dealing largely with an 11-year-old Jewish boy’s love for his young, widowed sister-in-law, Moshe Mizrahi, writer-director, sticks to his theme and avoids religious or distaff proseletyzing. He is a refreshingly professional craftsman who allows a viewer his own judgments. Continue reading
Four courageous college graduates become heroes when they successfully complete a 15-hour coast-to-coast plane flight. Alas, things don’t go so well for the foursome when they return to earth to seek out employment. Chris Thring (Charles Farrell) has a particularly rough time of it, but his sweetheart Catherine Furness (Janet Gaynor) remains faithful through thick and thin. Trouble brews in the form of Chris and Catherine’s mutual friends Mack McGowan (James Dunn) and Madge Rountree (Ginger Rogers): Catherine thinks Chris is in love with Madge, while Mack falls in love with Chris? and on and on it goes. Shirley Temple shows up in the early scenes as a plane passenger, while that grand old trouper Gustav von Seyfertitz sheds his usual villainous image as the film’s avuncular last-minute problem-solver. Change of Heart is based on a novel by Kathleen Norris. Continue reading
Své milostné okouzlení prožívají nejen mladičtí hrdinové filmu šestnáctiletý Petr a stejně stará dívka Andrea, ale i jejich rodiče, kteří se po letech znovu setkali. Rádoby poetické ladění je však místy násilné stejně jako střídání barvy s černobílými pasážemi. Láska patří mezi Kachyňova normalizační díla, která postrádají osobitost, nahrazuje ji křečovitou stylizací, která postihuje všechny složky filmu. Continue reading