Ferzan Ozpetek – Hamam AKA Steam: The Turkish Bath (1997)

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If postmodern marriage is between equals, Francesco (Alessandro Gassman) and Marta (Francesca d’Aloja) have been computer selected. He is slim, tall, charmless, cold. She is slim, tall, charmless, cold. He is irritable and insensitive to other people’s feelings. She is angry and sensitive to her own feelings. They bicker and fight and work for a design company (their own) in Rome. They fit neatly into the high-stress, workaholic, image-conscious lifestyle, in which eating and talking and loving is snatched between phone calls and client consultations. Continue reading

Kazimierz Kutz – Nikt nie wola aka Nobody’s calling. (1960)

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In 1960 Kazimierz Kutz’ second film NIKT NIE WOLA / NOBODY’S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple’s inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz’s effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY’S CALLING came to be compared with Michelangelo Antonioni’s THE ADVENTURE, which was produced around the same time. Continue reading

Alexandra-Therese Keining – Kyss mig AKA Kiss Me (2011)

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MIA (Ruth Vega Fernandez) and FRIDA (Liv Mjönes), both in their thirties, meet each other for the first time at their parents’ engagement party. Mia’s father, Lasse (Krister Henriksson), is about to get married to Frida’s mother, Elizabeth (Lena Endre), which will make Mia and Frida stepsisters. Lasse’s daughter, Mia, has not visited her father in years and arrives with her boyfriend, Tim (Joakim Nätterqvist), with whom she is about to get married. As Mia and Frida get to know one another, strong emotions begin to stir between them. Their relationship will turn everything upside down for everyone close to them with dramatic consequences. Continue reading

W.S. Van Dyke – Rose-Marie (1936)

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Comment from IMDb:
This was the 2nd film venture for Nelson Eddy and Jeanette MacDonald. Nelson, the former opera star, as a stalwart Mountie and Jeanette, playing the opera star, she never was in real life. Coasting on the phenomenal success of their first film, this set the tone for their next ones–the formula, great singing, gorgeous setting, supposedly in Canada, but actually filmed in the rustic pre tourist attraction of Lake Tahoe. The 2 stars complemented each other perfectly, a love match on screen as well as off. Jimmy Stewart featured in an early role, and David Niven, wasted as a suitor. Gilda Grey, a famous stripper, managed to wear a revealing dress, that escaped the censors. Allan Jones appeared in 2 opera sequences with Jeanette, and proved once more, he was no threat to Nelson Eddy. Beautiful music, some laughs some tears, and always Nelson and Jeanette–together. Continue reading