Georgi Paradzhanov – I am a Seagull!.. (2000)

177540pa9 Georgi Paradzhanov   I am a Seagull!.. (2000)

imdbimage Georgi Paradzhanov   I am a Seagull!.. (2000)

Ya-Chaika! / I am a seagull!..
Georgi Paradzhanov’s sensational tape.
On the screen – the woman-phantom. As at a tragical bird, wings of a white lacy shawl tremble. The image is washed away, persons it is not visible almost. She is the heroine of a film “I am the Seagull” which has been shown on film festivals in Venice and Kiev and now for the first time it is presented the Moscow spectators. The film tells about destiny of actress Valentina Karavaeva, a unique which well-known role and remained “Mashenka” (IMDB).
Solve, about what this film: about a painful narcissism, about fidelity to art, about destiny riddles, about dotage or about not recognised genius.
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Aleksandr Sokurov – Telets Aka Taurus (2001)

 Aleksandr Sokurov   Telets Aka Taurus (2001)

logoimdbb Aleksandr Sokurov   Telets Aka Taurus (2001)

Following up on his shaded character study of Adolf Hitler in Moloch, acclaimed filmmaker Alexander Sokurov directs this companion piece — the second in a planned trilogy — based on the waning days of the life of Vladimir Ilyich Lenin. Set in 1923 in the newly created U.S.S.R., state founder Lenin (Leonid Mozgovoy) — though he is never mentioned by name — is convalescing from a stroke at age 51 in his dacha. Surrounded by watchful guards, a live-in doctor, his wife, and his sister, this formerly titanic figure lives as a virtual prisoner after the deterioration of his health. Unable to make contact with the outside world — newspapers are forcibly removed and the phone lines cut — Lenin spends much of his time puttering around in the garden or eating with his loyal wife. One day, Stalin (Sergei Razhuk) pays him a visit, even though Lenin isn’t quite sure who the future tyrant is. He presents the sick man a walking stick, mentioning that he wanted it to be engraved but Trotsky vetoed the idea. After the visit, Lenin becomes upset that he is living in luxury while his countrymen are starving. This film was screened in competition at the 2001 Cannes Film Festival. ~ Jonathan Crow, All Movie Guide Continue reading

Valeriy Todorovskiy – Podmoskovnye Vechera AKA Katya Ismailova (1994)

qceg7gvlqnt4geg4 Valeriy Todorovskiy   Podmoskovnye Vechera AKA Katya Ismailova (1994)

logoimdbb Valeriy Todorovskiy   Podmoskovnye Vechera AKA Katya Ismailova (1994)

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A wife finds her life transformed after a torrid affair in this story of murder. Katia is a rather dull young woman who types manuscripts for Irina, her husband’s mother and successful writer of romance novels. Katia’s husband is a real momma’s boy. They go to Irina’s summer house to work. There Katia encounters the intense and sexy Serguei who creates passionate longings with in her. Overcome she and Serguei engage in vigorous love-making upon a windowsill where Irina sees them. Irina has a weak heart. Quiet Katia, having rediscovered the joys of sex, changes and becomes more assertive and flighty. Serguei quickly loses interest in her. Strange and deadly things begin happening at the summer house which calls the attention of a judge who is extremely familiar with Irina’s writing. ~ Sandra Brennan, Rovi Continue reading

Gennadi Sidorov – Starukhi aka Old Women (2003)

1328619486fdfgdfg Gennadi Sidorov   Starukhi aka Old Women (2003)

logoimdbb Gennadi Sidorov   Starukhi aka Old Women (2003)

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This is a 2003 award-winning film about a group of old women living in an forgotten village somewhere in an endless sea of forest. They are living in poverty in these run-down wooden houses — yet they still have their spirit. One of the things that makes this movie unusual is that these old women are not caricatures per se and were played by non-professionals. They are all 3-dimensional characters of various sorts. This is so different from the usual portrayal of old women in film, where they are so often flat characters. Apparently, from the reviews posted by Russians, this is a fairly unusual modern Russian film. Honest yet uplifting (sort of) story about people who’s stories are not usually told. This film shows the negative side of the changes since the break-up and privatization of the Soviet Union. The poverty of these women is a direct result of this as they are pensioners and pensioners have not faired well. Corruption, government mismanagement, inflation, etc. Thus, the movie highlights others who have been hurt by the changes since 1991 also. Continue reading

Aleksandr Mindadze – V subbotu aka Innocent Saturday (2011)

innocentsaturday Aleksandr Mindadze   V subbotu aka Innocent Saturday (2011)

logoimdbb Aleksandr Mindadze   V subbotu aka Innocent Saturday (2011)

It’s just another normal Saturday in Ukraine but Valery Kabysh, a young party official, sees panic on the faces of those in charge of the Chernobyl power station where a reactor tower has exploded. As he tries to rally together the woman he loves and his friends he finds all his attempts to get out of town are thwarted by the roots that have attached each and everyone of them to the place they live and work. All the while deadly plumes of radioactive smoke are silently rising up into the atmosphere. Continue reading

Alexander Doulerain & Sergei Koryagin – Ivan The Idiot aka Ivan-Durak (2002)

h2fg Alexander Doulerain & Sergei Koryagin   Ivan The Idiot aka Ivan Durak (2002)

logoimdbb Alexander Doulerain & Sergei Koryagin   Ivan The Idiot aka Ivan Durak (2002)

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Origin of idea

Ivan the Idiot is one of the most popular personas found in Russian folklore. His story serves as the basic fable of “Ivan the Idiot”: Ivan as hero saves a sleeping beauty from the clutches of evil. However, in this rendition, “Ivan the Idiot” is told in a slightly different style than usual; it’s a cybercomic.

“Ivan the Idiot” embraces a variety of themes and influences. From classical Russian folklore to the cosmogony of Daniel Andreev, one of the most esoteric philosophers of the 20th century, there are traces of “Rambo: First Blood,” Goddard, Sterling and Gibson (the fathers of cyberpunk), popular Russian cartoons of the 1970s, and Russian parallel cinema of the 1990s. The Marx Brothers and Kuleshova also receive a nod in this new Russian avant-garde comedy. Continue reading

pixel Alexander Doulerain & Sergei Koryagin   Ivan The Idiot aka Ivan Durak (2002)