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Pickup on South Street opens with a striking omission of dialogue and score, heightening our awareness of the film’s pared images and the diamond-hard editing rhythms. On a subway, a beautiful woman, Candy (Jean Peters), is scrutinized by two men who are obviously tailing her. Everything about Candy’s pose is intensely erotic, from the crook of her arm that’s holding the subway railing to the sweat on her skin, to the way she’s cramped up against the other passengers. Soon saddling up to her is Skip McCoy (Richard Widmark), who approaches her as the prey she clearly represents to his hunter. Hovering over Candy, Skip makes a show of folding a newspaper, opening her purse, rifling through it, and snatching the contents of interest to him.Read More »