The Illustrated Man is a 1969 American science fiction film directed by Jack Smight and starring Rod Steiger. The film is based on three short stories from the 1951 collection The Illustrated Man by Ray Bradbury: “The Veldt”, “The Long Rain”, and “The Last Night of the World”.
The Illustrated Man comprises three science fiction short stories from Ray Bradbury’s collection of the same name. Howard B. Kreitsek wrote the screenplay that encompassed the stories “The Veldt”, “The Long Rain”, and “The Last Night of the World”, Jack Smight directed the film. Bradbury was not consulted for the adaptation. The author sold story rights to the film in December 1967 for $85,000, but he did not sell the film rights. Since the collection included eighteen short stories, Smight chose three stories and used the carnival sideshow freak who appeared in the collection’s prologue and epilogue as the film’s primary narrative. As the freak, the director cast Rod Steiger, whom he had known since the 1950s. Continue reading
A German doctor tries to prove his theory that people are evolving to be taller by making a “superwoman” of his daughter thru diet, exercise, and conditioning to run in the Olympics. Unfortunately she doesnt turn into a homicidal monster like Barbara Carrera in “Embryo,” although she does get cranky. Continue reading
Jodorowsky’s Dune is a 2013 American documentary film directed by Frank Pavich. The film explores Chilean-French director Alejandro Jodorowsky’s unsuccessful attempt to adapt and film Frank Herbert’s 1965 science fiction novel Dune in the mid-1970s.
To the Stars by Hard Ways was first released in 1985, and the print being screened at Fantasia is the newly restored version that was shorn of 20 minutes and re-edited by the director’s son Nikolai Viktorov in 2001. Once given the Mystery Science Theatre treatment in a truncated version known as Humanoid Woman, To the Stars by Hard Ways has gained a cult-classic status among Russian youths who were attuned to the film’s blend of pop social commentary and stunning visual alchemy. The latter is a result of a varied cinematic style which incorporates poetic touches of Tarkovskian influenced naturalism (“earthy, organic” set design), shifting colour patterns (between sepia, monochromatic blue and saturated nature imagery), and simple yet inventive in-camera special effects (slow motion, reverse, dissolves, mirror shots etc.). To the Stars by Hard Ways functions marvelously well on multiple levels — as a trippy science-fiction social critique of environmental neglect, as a campy treat of mod visuals and Star Trek-influenced human and alien characters, and as a retro Communist propaganda piece. Even with these at times radical shifts in tone, the film remains a genuinely moving existential space opera.
Jonathan Glazer‘s film is a gorgeous piece of film-making that leaves the narrative heavy-lifting to the viewers as it eschews a traditional setup and instead relies on visuals to clue us in as the story progresses. Expect complaints similar to those hurled at Upstream Color, that the story is unclear or convoluted, but such accusations are as baseless here as they were with Shane Carruth’s film. The details may be elusive, but the steadily engrossing narrative is clear. Continue reading
Extraterrestrial Girl visited Earth.
Inventor Blinkov in love with her. His love is awakened in her new emotions and feelings.
She realized that Blinkov can not live in a different world.
And she leaves the Earth with sadness and loneliness.
Morning of a silent provincial small town. The sleepy city is exposed silent to capture alien a landing. Newcomers are installed in people, destroying the person and subordinating a body to the new carrier. It is last fantastic film made in the USSR. 1990 – last year before disintegration of the Union.