Ömer the Tourist in Star Trek (Turkish: Turist Ömer Uzay Yolunda) is a 1973 Turkish cult comedy science-fiction film, produced and directed by Hulki Saner, featuring Sadri Alışık as a Turkish hobo who is beamed aboard the Starship Enterprise. The film, which is the eighth and final in a series of films featuring Alışık as Ömer the Tourist, is commonly known as Turkish Star Trek because of plot and stylistic elements parodied from Star Trek: The Original Series episode The Man Trap (1966) as well as the unauthorized use of footage from the series. Continue reading
“…Two spotter pilots for a Japanese fish canning plant crash land on a deserted island where both Godzilla and
Anguirus are already engaged in mortal combat. During the fight the two titans plunge into the sea and
disappear leaving the two onlookers amazed at what they had both witnessed. Would anybody believe their
The Japanese scientific community could take no chances. The two pilots were questioned thoroughly and
asked to identify the monsters from a pile of sketches of known prehistoric creatures. The scientist’s worst fears
would become reality. One of the creatures was indeed another Godzilla and the other an equally beast
Anguirus. Tokyo was destroyed by just one of these monsters. How could Japan defend itself against two…”
In a murky, sometimes confusing tale about a future dystopia in which people are waiting — and waiting — for a rescue ship called the Ark, there are several good one-liners, but they are outnumbered by the puzzling riddles and symbolism that permeate the story. The flotsam and jetsam of humanity are huddled together in an underground labyrinth after civilization as we know it has been obliterated by the Bomb. The survivors are protected by a dome which a repairman notes is bound to crack before the Ark arrives because it was constructed under a one-year plan. The hero of the film searches for the origins of the myth about the Ark and along the way falls in love with a prostitute. It seems the world’s oldest profession has also survived the nuclear holocaust. Continue reading
When the ancient continent of Mu sank beneath the ocean, some of its inhabitant survived in caverns beneath the sea. Cowboy singer Gene Autry stumbles upon the civilization, now buried beneath his own Radio Ranch. The Muranians have developed technology and weaponry such as television and ray guns. Their rich supply of radium draws unscrupulous speculators from the surface. The peaceful civilization of the Muranians is corrupted by the greed from above, and it becomes Autry’s task to prevent all-out war, ideally without disrupting his regular radio show.
The Illustrated Man is a 1969 American science fiction film directed by Jack Smight and starring Rod Steiger. The film is based on three short stories from the 1951 collection The Illustrated Man by Ray Bradbury: “The Veldt”, “The Long Rain”, and “The Last Night of the World”.
The Illustrated Man comprises three science fiction short stories from Ray Bradbury’s collection of the same name. Howard B. Kreitsek wrote the screenplay that encompassed the stories “The Veldt”, “The Long Rain”, and “The Last Night of the World”, Jack Smight directed the film. Bradbury was not consulted for the adaptation. The author sold story rights to the film in December 1967 for $85,000, but he did not sell the film rights. Since the collection included eighteen short stories, Smight chose three stories and used the carnival sideshow freak who appeared in the collection’s prologue and epilogue as the film’s primary narrative. As the freak, the director cast Rod Steiger, whom he had known since the 1950s. Continue reading
A German doctor tries to prove his theory that people are evolving to be taller by making a “superwoman” of his daughter thru diet, exercise, and conditioning to run in the Olympics. Unfortunately she doesnt turn into a homicidal monster like Barbara Carrera in “Embryo,” although she does get cranky. Continue reading
Jodorowsky’s Dune is a 2013 American documentary film directed by Frank Pavich. The film explores Chilean-French director Alejandro Jodorowsky’s unsuccessful attempt to adapt and film Frank Herbert’s 1965 science fiction novel Dune in the mid-1970s.