Originally intended as a project for Blake Edwards, the film version of Pierre Boule’s semisatiric sci-fi novel came to the screen in 1968 under the directorial guidance of Franklin J. Schaffner. Charlton Heston is George Taylor, one of several astronauts on a long, long space mission whose spaceship crash-lands on a remote planet, seemingly devoid of intelligent life. Soon the astronaut learns that this planet is ruled by a race of talking, thinking, reasoning apes who hold court over a complex, multilayered civilization. In this topsy-turvy society, the human beings are grunting, inarticulate primates, penned-up like animals. When ape leader Dr. Zaius (Maurice Evans) discovers that the captive Taylor has the power of speech, he reacts in horror and insists that the astronaut be killed. Continue reading
Two scientists are chosen as guinea pigs for a time experiment: they are placed in hibernation and should be brought back to life after three years. In the meantime, however, the World War III breaks out and life have been wiped out of the surface of the Earth. When they wake up, it turns out that not only 50 years have passed but also that they are the only living specimens of the male sex in a new, underground society composed exclusively of women. Max used to be woman-chaser so he finds himself in heaven. Albert, on the other hand, forgot all about love and sex as a serious scientist, but is willing to learn. So are the Amazons, who after a kiss turn into pliant kittens. The Council of Women is going to decide their fate, so they are trying to win more time. Eventually they make it to the surface, helped by beautiful Lamia. On the surface it turns out that there is life there and somebody has been living a decent life… Continue reading
Independent auteur Hal Hartley wrote and directed this satirical exercise in what he calls “fake science fiction.” In the near future, following a violent overthrow of the American government, the United States has come under the rule of the MMM, a Multi-Media Monopoly which runs the country as a business. Every citizen now has a personal bar code, which is used to monitor his or her consumption of practically everything, including sex, now that aphrodisiacs have become the nation’s biggest consumer product. Jack (Bill Sage) and Cecile (Sabrina Lloyd) are two MMM executives who are vying for the same level of advancement within the organization, while William (Leo Fitzpatrick) is a member of the Partisans, a cadre of anti-MMM activists who are attempting to bring down the corporation’s rule, though they are regarded as both dangerous and powerless by MMM’s leaders. In the midst of this situation comes a beautiful woman from the planet Monday (Tatiana Abracos), who knows about Jack’s little secret — he’s a fellow alien hiding out on Earth. The woman has come to Earth to bring Jack back to planet Monday, but given the currently miserable state of Jack’s life, he’s more interested in having a relationship with her than heading back home. The Girl From Monday has its world premiere at the 2005 Sundance Film Festival. — Mark Deming Continue reading
One of the most famous rare TV films ever, the copy is very good.
I think Samyatin’s novel Wir on which this film is based is well known enough among sci-fi fans as the predecessor and inspiration for Brave New World and 1984. In 1981 ZDF adapted this film with Dieter Laser and Sabine von Maydell in the main roles and some clever effects despite obvious budget limitations. I’m as puzzled as all other fans why this film was apparently never shown again, maybe rights issues?
Anyway here it is back for the eyes of the public. Continue reading
In the 1800s, a baron, who is the owner of a castle known as The Devil’s Castle and who is also an obsessed opera fan, keeps the body of his favorite diva preserved in a crypt in the castle. In order to keep away potentially nosy visitors, the baron’s mad-scientist assistant, invents all sorts of spooky phenomena in order to give the castle a creepy reputation. Continue reading
Darius is a young intern at a Seattle-based magazine and jumps at the chance to investigate the author of a classified ad seeking someone to travel back in time with. Along with Jeff, the staff writer, and Arnau, a fellow intern, the three go on a road trip to a coastal town. While Jeff just wants to chase after his high school crush and Arnau wants some kind of life experience, Darius spends her time with Kenneth, a man who believes that he has built a time machine. The closer they become and the more they understand about each other, the less clear it becomes if Kenneth is just crazy or if he actually is going to successfully travel back in time.
Ömer the Tourist in Star Trek (Turkish: Turist Ömer Uzay Yolunda) is a 1973 Turkish cult comedy science-fiction film, produced and directed by Hulki Saner, featuring Sadri Alışık as a Turkish hobo who is beamed aboard the Starship Enterprise. The film, which is the eighth and final in a series of films featuring Alışık as Ömer the Tourist, is commonly known as Turkish Star Trek because of plot and stylistic elements parodied from Star Trek: The Original Series episode The Man Trap (1966) as well as the unauthorized use of footage from the series. Continue reading