Zetterstrøm is an accomplished pianist who lives and breathes music. When he plays he shuts out his surroundings, isolates himself entirely in a universe where only he and his piano exist in perfect symbiosis, forgetting all that matters, even those who love him. When his girlfriend finally abandons him he is heartbroken, and his already reclusive nature is strengthened. He travels to New York and takes up residence, now playing concerts physically isolated from the audience. Ten years pass and he feels compelled to return to Copenhagen, but in his absence something very strange has happened to his old neighbourhood… Read More »
Plot Summary: Set in 1999, a woman (Dommartin) has a car accident with some bank robbers, who befriend and enlist her help to take the money to a drop in Paris. On the way she runs into another fugitive from the law (Hurt), an American who is being chased by the CIA. The charges are false, he says, that they want to confiscate a device his father has invented which allows you to record your dreams and vision. On the run from the bank robbers and the CIA, they span the globe, ending up in Australia at the research facility of his father (von Sydow), where they hope to be able to play back the recordings Hurt has made to his blind mother. Read More »
Wim Wenders muses on love, death and his perennial bugbear, the ‘Crisis of the Image’ in The Palermo Shooting, a metaphysical thriller cum philosophical essay that marks another step on the downwards slope for this once-vital film-maker. Unwisely cast, leadenly written and ultimately farcical in its earnestness, The Palermo Shooting is a glossy travelogue-thriller with metaphysical pretentions, and one of the low points of this year’s Cannes Competition. Unlikely to fare well in the market, the film may also find festivals preferring to tactfully take a rain check.
An overbearingly-glossy first half centres on the travails of Finn, played by German rocker and moody scowler Campino. Finn is a successful photographer with a major reputation in the art world, but has a sideline working on slick fashion shoots with the likes of actor-model Milla Jovovich – seen here very pregnant and playing herself. Fascinated by digital photography and its possibilities for visual manipulation, Finn is accused by a high-minded student of betraying ‘real’ images. Meanwhile, he suffers from elaborate, vaguely Cocteau-esque nightmares involving his dead mother and a mysterious bald cloaked figure (Hopper), whose true identity isn’t too hard to guess. Read More »
Based on Daniel F. Galouye’s novel “Simulacron Three” Rainer Werner Fassbinder’s 2 part TV production is a science-fiction classic that explores the notion of a computer-generated other world, pre-dating The Matrix by 26 years. Since its original broadcast in 1973 it has rarely been seen and following increasing demand the Fassbinder Foundation have restored this remarkable film.
Simulacron 1 is a highly advanced project, designed to take computer technology to a new level by creating another world inhabited by computer-generated people or ‘identity units’ that will help to predict future events. When the head of the project dies mysteriously after showing signs of mental disturbance, Dr Stiller becomes his successor. However, Stiller also begins to behave bizarrely. He speaks of people disappearing whom no one else knows, believes someone is trying to murder him and has nausea attacks. As he begins to probe deeper into Simulacron, the line between the real and virtual world becomes increasingly blurred and his own existence is questioned. Read More »
Based on a novel by Per Wahlöö. With
Fassbinder, Günther Kaufmann, Boy Godert.
Gremm directed fellow filmmaker and longtime friend
Fassbinder in what turned out to be his last performance
before his untimely death on June 10,1982.
In the near future where “the combine” controls television
and news, a bomb threat brings super cop Jansen (Fassbinder)
to the combine’s headquarters. Nothing happens, but his boss
gives him four days to solve the hoax. Odd things occur: on
day one there’s a murder at the combine; vague references to
the combine’s enemy, Krysmopompas, appear; the nephew of
the combine’s boss confesses to the bomb threat, although he
didn’t do it. Jansen stays focused, interviewing employees who
received special awards (printed on the paper used for the
bomb threat). Is he onto something big or was the bomb threat
just a prank? And what is this 31st floor rumored hidden in
the 30-story combine headquarters? Read More »
In 1973, health-food store owner Miles Monroe (Woody Allen) enters the hospital for a routine gall bladder operation. When he expires on the operating table, Miles’ sister requests permission to cryogenically freeze her brother’s body. After 200 years, Miles is unwrapped by a group of scientists and awakens to a “brave new world” of deadening conformity, ruled with an iron fist by a never-seen leader. Miles is forced to flee for his life when the scientists — actually a group of revolutionary activists — are overpowered by the leader’s police. He eludes the cops by pretending to be an android, and in this guise is sent to work at the home of Luna (Diane Keaton), a composer of greeting cards who thinks that the world of the future is perfect as it stands. There’s more, but why spoil your fun? Sleeper is the most visual of Woody Allen’s earlier films, and demonstrated a more pronounced rapport between Allen and his off- and onscreen leading lady Diane Keaton than had previously existed. The Dixieland score is performed by the Preservation Hall Jazz Band. ~ Hal Erickson, All Movie Guide Read More »
This Russian sci-fi film, an adaptation of the Czech classic novel that gave the world the term “robot,” tells the tale of an idealistic inventor who designs strong and intelligent robots to do human work. Unfortunately, the machines are utterly soulless. When factory bosses begin attempting to replace all people with the new robots, the displaced workers revolt. allmovie.com Read More »