“Srce je mudrih u kuci zalosti” aka “The Heart of the Wise Lives in the House of Sorrow”
Official DVD is still not available so I have decided to upload the film to everyone hoe find it interesting. With a budget of 50-60 thousend euros is the most cheapest film in 2009 in Serbia and big part of that budget is used for 35mm film copy. One of the bizarre moment is that the film was entered in Cape Winelands Film Festival in Capetown together with most expensive Serbian film that year “Sveti Georgije Ubiva Azdahu”
Film is very free adaptation of two old testament story, about Jona and Jacob and I have made that film because I was interested to see how that biblical element will adopt in contemporary Serbian society. For me it was partly experimental and lyrical and epic in same time and I think that film is more about some deep maybe irrational emotions for which I was thinking that Serbia could be a fertile ground. Continue reading
Clip is not another ‘coming-of-age’ story about the complexities of adolescence. Miloš has made an honest and non-judgmental portrait of teenagers caught in sexual and social turmoil. Sexually explicit and emotionally disturbing, it goes beyond borders and even further.
Jasna is a beautiful girl in her mid-teens. Disillusioned by her life in a remote Serbian town with a dispirited mother and terminally ill father, she opposes everyone, including herself, and goes wild, experimenting with sex, drugs and simply killing time. But gradually, this desperate protest helps her come to terms with painful reality.
In her first feature, Maja Miloš explores the disturbing state of adolescence as bravely and honestly as her protagonist explores herself. Isidora Simijonovic, also a debutant, gives a striking and fearless performance full of contrasts. Together they create a highly dynamic and vibrant portrait of wasted youth lost in the search for identity. Continue reading
A man awakens from a two-month-long coma. Total amnesia. A bullet fired point blank. He doesn’t remember anything. He’s told that he had a wife and a son. They’ve been killed. He’s revealed his past identity by the Colonel, who insists they are best friends. He’s a Major of the Military Security Agency. An inspector from the State Security Agency appears affirming that he has information on people responsible for the massacre of his family. The Major is discharged from the hospital. He tries to patch together a normal life but is confronted with emptiness and despair. His only chance of discovering his identity and the assassin of his family is to accept the game that the Inspector has set up for him. Continue reading
In the Serbian drama “White White World: The Miner’s Opera” (“Beli Beli Svet”), the characters sing, but never dance. Formulated as a modern day Greek tragedy set in the decrepit southeastern mining town Bor, the movie follows a close group of alienated locals through misguided love affairs and other brash misdeeds. But the songs feature no choreography or other stylish methods of breaking the harsh, downtrodden tableaux. It’s a surprisingly effective strategy. With his sophomore effort, director Oleg Novkovic uses musical expression to frame inner monologues that would never work in spoken form. As a result, a story exclusively populated by damaged people engaged in morally ambiguous, often depraved behavior manages to evoke sympathy for all of them. Continue reading
The Old School of Capitalism is rooted in the first wave of workers revolts to hit Serbia since the advent of capitalism. Desperate workers bulldoze through factory gates and are devastated to discover the site looted by the bosses. Eccentrically escalating confrontations, including a melee with workers in football shoulder-pads and helmets and boss and his security force in bulletproof vests, prove fruitless. Committed young anarchists offer solidarity, take the bosses hostage. A Russian tycoon, a Wall Street trader and US VP Biden’s visit to Belgrade unexpectedly complicate events that lead toward a final shock. Along the way, the film produces an increasingly complex and yet unfailingly lively account of present-day, in fact, up-to-the-minute struggles under the misery-inducing effects of both local and global capital. Continue reading
Sisters is a 2011 film based on a true story from Serbia. Sisters is about human trafficking.
Two sisters from Krusevac, Serbia, decided to take part-time job in Italy, little did they know that they will become victims of human trafficking, prostitution, and well organized crime organization. Continue reading
Mladen, an ordinary man, signs a pact with the devil in order to pay for the life-saving operation for his son and becomes a murderer. But the act soon starts to haunt him: keeping the secret from his wife forces him into a kind of emotional poker, and his conscience does not cooperate very long in his betrayal of his own moral standards. A “Balkan version of Crime and Punishment”, wrote director Srdan Golubović, set against the backdrop of a transition process gone awry: “a modern ‘film noir’ about post-Milosevic Serbia, where there is no more war, just a moral and existential desert.” Golubović vividly dissects personality transformations from the perspective of a confession, always showing great respect for his protagonists. With its distinctive language of images, which finds a style of its own between close-ups and the representation of urban architecture, the film reveals an artistic approach to the theme that points beyond empty metaphors to the personal quality of the story — a story whose pull can’t be resisted.