Sergio Caballero – La distancia (2014)

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A heist-movie of such exquisitely bizarre loopiness to make Inception look like Ocean’s Eleven, Sergio Caballero’s The Distance (La distancia) is a likeably giggle-inducing dollop of deadpan surrealist whimsy. Observing a trio of telepathic Russian dwarves tasked with robbing an abandoned Siberian power-station, Caballero’s follow-up to 2010’s even more deliciously outre Finisterrae confirms the Catalan’s status as a puckish jester in the court of current European art-cinema. Adventurous audiences enduring the longueurs and waywardness of his gloriously uncompromised vision are rewarded with a hilariously abrupt finale that should delight many but leave others baffled and bemused. Festivals with late-night slots to fill will clamor for this cultish item, which might even find small distribution niches in eccentricity-embracing territories such as Japan and France. Continue reading