Inspired by Gianfranco Sanguinetti’s On Terrorism and the State. Shots of the orbital road, the Arc de Triomphe and rebellious blindfolded youths in a gunfight.
In-between essay and fiction, La dernière énigme established Ossang’s formal territory: a contemporary mythology. Inspired by the book On Terrorism and the State by Gianfranco Sanguinetti, it evokes visual echoes of political events, where a generation forfeits all revolutionary aspirations due to state terrorism. Shot using two cans of Kodak XX 16mm film. Continue reading
For us, a thought always presupposes a society, a culture, and, above all, the consciousness of time. The film revolves around a light bulb like the Earth around the Sun. Light makes the film visible. In the orbit of the film tragedy and our reality, the image resists the cruelty of the experiment. Continue reading
One of the cinema’s Holy Grails, Murnau’s lost Four Devils (1928) starred Janet Gaynor, fresh from Sunrise, in a circus drama set in Paris. In this 40-minute documentary, UCLA film scholar Bergstrom reconstructs the film through stills, set blueprints, and production drawings. Continue reading
A dirty deal between cowboys. The fight between the Texan Benz, head of a gang of assassins, and Captain Mort, his right-hand man.
La Zone – the poor, dangerous quarters of Paris (George Lacombe, 1928); the administrative zone where Orpheus looks for his lost Eurydice (Jean Cocteau, 1950); Interzone – the working title for Naked Lunch (W.S. Burroughs, 1959). In 1983, Ossang created a synthesis of all these territories of unrest under a banner of dead colours. Continue reading
Sara prepares a surprise for her wife Katarina’s birthday with the help of their daughter Johanna and their friend Fredrik. But on this early summer day, Katarina has something to tell her that will change their lives forever.
The first film from Eisenstein.
” Eisenstein’s interest in film began with an appreciation of the work of D.W. Griffith, whose editing style influenced him in the production of his first cinematic endeavor, the 1923 five-minute newsreel parody Dnevnik Glumova. A stint with Lev Kuleshov’s film workshop followed, as did an increasing fascination with the burgeoning avant-garde.” Continue reading
Filmed in 1979, these four short films share a common method: they combine texts written and read by Duras (in voice-over) with images shot by Pierre Lhomme. Continue reading