Various – LUST: 12 SEXY SHORT [+Extras] (1998 – 2003)

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Lust: 12 sexy short brings to light a wide range of cutting-edge films from 8 different countries that takes a humoristic look at the search for pleasure. It’s a discovery of a wide range of low-budget film-making styles that strolls us through a frenetic world that begins with sex for some and ends in separations for others. These films portray experiences that dissolve into a blurry vision of love. Lust is an incomplete inventory – who could pretend otherwise !! – of the different strategies of attack and defense within the permanent struggle against loneliness. Lust shows us a world where although the rules are simple, the winner never adheres to them. (-Lowave) Continue reading

Various – Dirty diaries: 12 shorts of Swedish feminist porn (2009)

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LINK

Directed by

  • Tora Mårtens
  • Elin Magnusson
  • Sara Kaaman
  • Ester Martin Bergsmark
  • Nelli, Andreas
  • Åsa Sandzén
  • Malin Erkkonen
  • Pella Kågerman
  • Wolfe Madam
  • Ingrid Ryberg
  • Universal Pussy
  • Joanna Rytel
  • Marit Östberg
  • Jennifer Rainsford

 


Internet wrote:

There’s to much to say about each individual movie, but the level of quality is high and most of them has very strong concepts. My favorite is also the first one, “Skin”, directed by Elin Magnusson. It’s a beautifully shot sex scene between a man and a woman all dressed in a skin-colored body stocking. Slowly they cut parts of their body skin open, and in the end there’s nothing left of this shell. Only humans. It’s sexy, erotic is probably the best in this collection of high quality shorts. “Body Contact” was almost scary to see, because it seems so real at first. It’s about a girl who want’s to make a porn movie and films the whole experience together with her friend. They find a man from the southern parts of Sweden and manipulates him to be in the movie. It’s both funny, and even a bit unpleasent. “On Your Back Woman” is a cute wrestling-themed short with three lesbian couple. I think cute is a good word (maybe the director will disapprove there?), but it’s also strong movie with strong love.
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Guy Maddin – Send Me to the ‘Lectric Chair (2009)

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Rotterdam 2009: Guy Maddin Will “Send Me To the ‘Lectric Chair”
By R. Emmet Sweeney on 01/29/2009
Guy Maddin, courtesy of the International Film Festival Rotterdam, 2009

Guy Maddin is a hoarder of uncanny images, from the candy-colored Alpine tableaus of “Careful” to the frozen horse heads of last year’s “My Winnipeg.” A commission from the Rotterdam Film Festival centers around another: Isabella Rossellini blasted out of an electric chair. It’s the basis for his new short film, “Send Me to the ‘Lectric Chair,” part of the Urban Screens series at the festival, which is projecting three works onto office buildings throughout the city. It’s an archetypal Maddin film, conflating sex, death and film history in a manic seven minutes. I spoke with him at the festival about the new work, collage parties, Thomas Edison and the hazards of Dutch public transit.

How did you get this assignment, and how did you conceive it? Continue reading

Various – The Movies Begin Vol. 1: The Great Train Robbery and Other Primary Works (1880 – 1910)

The Movies Begin

The Great Train Robbery & Other Primary Works
Directors: Edweard Muybridge, Edwin S. Porter, Thomas Edison
Country: (various)
Year: 1893-1907
This survey of the cinema’s earliest landmarks and rarities features the 1877 motion studies of Edward Muybridge, the early productions of Thomas Edison’s Black Maria, the actualites of Louis Lumiére, George Méliès’s A Trip to the Moon (1902), and climaxes with the premiere of a mint-condition print of Edwin S. Porter’s The Great Train Robbery, complete with the authentic hand-tinting witnessed by audiences of 1903.
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Gaspar Noé – Tintarella di luna (1985)

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Noé made two black-and-white short films upon finishing his studies, Tintarella di luna in 1985, and Pulpe amère in 1987. Tintarella di luna tells the simple story of a woman who leaves her husband for her lover. Continue reading

Gaspar Noé – Sodomites (1998)

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Iconoclastic indie filmmaker Gaspar Noe is as soft-spoken as his films are abrasive. The force behind the short film “Carne” (1991) and “I Stand Alone” (1998) — two visually explosive and delectably warped odes to the ordinary madness of a misunderstood horse butcher — Noe writes, directs, produces, shoots and edits films so distinctive that his films have already developed cult followings.

As part of a French government initiative to promote the use of condoms through graphic depictions of their proper use, Noe made the short “Sodomites” and handled camera duties on Hadzihalilovic’s “Good Boys Use Condoms.” Continue reading