Siegrid Alnoy – Elle est des nôtres AKA She’s One of Us (2003)


While the official jury opted for a long German joke, the deliberation for the FIPRESCI award in Stockholm transpired in, literally, a matter of seconds; the choice was that clear. As our citation states, “Elle est des nôtres” is an ambitious and extremely promising debut, a moving symbosis between its director, Siegrid Alnoy, and her lead actor, Sasha Andrès. Titled after a populist French song (and thus poorly translated to English as “For She’s a Jolly Good Fellow”), “Elle et des nôtres” resonates with a cultish ring of unwanted belonging; she is one of us, she is one of us. In a way, Siegrid Alnoy’s first feature, which premiered at the Critics Week earlier this year at Cannes – and has proven to be one of that awful festival’s true discoveries – is about possibly the most banal yet damaging cult of them all: human society in the early 21st century. Her main character, Christine Blanc (musician Sasha Andrès, remarkable in her first feature film role) is appropriately named: she is a blank. Perpetually clothed in the same red business suit, Christine toils in limbo as a temp for bosses who don’t know her name, aspiring to full-time employment and social acceptance in her suburban Annecy environment, all indistinct malls, glass office walls and stifling sterility, approaching her daily interactions with the false veneer of politeness. Continue reading