The tale of a dancer rejected by her lover and forced to endure other indignities in order to support her child is shown in avant garde style and traditional narrative techniques, with camera angles and architectural design defining the emotional states of the characters. Featuring Eve Francis, Jaque Catelain and Marcelle Pradot. Continue reading
Restored by “La Cinémathèque Française” in 1988
A ghost has been seen during the night in the Louvre Museum (Paris), and a guard is found dying near the statue of Belphégor, a god of Moabites and Ammonites. A young reporter, Jacques Bellegarde, begin to investigate but soon he’s being threatened by some letters sent by … Belphégor
It’s a silent mini-serie in 4 parts, after a popular book of Arthur Bernède, in the style of the 1st Fantômas (in fact, René Navarre was Fantômas in the Louis Feuillade’s movie)
Nearly 40 years later, a remake of this serie was made with Juliette Greco and met a great success in France, and is much better known that this one. Continue reading
A child is kidnapped and forced to sell flowers on the street.
THE THIEVING HAND is one of the cleverest combinations of silent comedy and vaudeville-style talent Savant has seen. It’s the simple tale of a magic ‘artificial’ arm that, once in place in a host socket, begins stealing incessantly. Made probably only to provoke laughter, this weirdness might have something to say about the concept of charity. 1908. Continue reading
From King John in 1899, film adaptations of Shakespeare’s plays proved popular with early filmmakers and audiences. By the end of the silent era, around 300 films had been produced. This feature-length celebration draws together a delightful selection of thrilling, dramatic, iconic and humorous scenes from two dozen different titles, many of which have been unseen for decades.
See Hamlet addressing Yorick’s skull, King Lear battling a raging storm at Stonehenge, The Merchant of Venice in vibrant stencil colour, the fairy magic of A Midsummer Night’s Dream, and what was probably John Gielgud’s first appearance on film, in the balcony scene from Romeo and Juliet. These treasures from the BFI National Archive have been newly digitised and are brought to life by the composers and musicians of Shakespeare’s Globe Theatre. Continue reading
A lonely young woman lives with her strict father who forbids her to wear make-up. One day at an ice cream social, she meets a young man you seems interested in her. However, unknown to her, he is a burglar who is only interested in breaking into her father’s house. One night she is awakened by a noise. Grabbing a pistol, she enters her father’s downstairs office where she confronts a masked intruder . . . Continue reading
In a dream-like sequence, a woman’s eye is slit open–juxtaposed with a similarly shaped cloud obsucuring the moon moving in the same direction as the knife through the eye–to grab the audience’s attention. The French phrase “ants in the palms,” (which means that someone is “itching” to kill) is shown literally. A man pulls a piano along with the tablets of the Ten Commandments and a dead donkey towards the woman he’s itching to kill. A shot of differently striped objects is repeatedly used to connect scenes. Written by Ryan T. Casey Continue reading