O-Take-San (Lil Dagover) is a beautiful young woman pursued by an evil Buddhist monk (Georg John) who wants to make her one of his many geishas. She has an affair with the Danish officer Niels Prien (Olaf J. Anderson) who leaves her alone and pregnant. O-Take-San considers ritualistic suicide when she is abandoned in this tragic melodrama directed by Fritz Lang. A nitrate print of the 1919 silent classic was found in the Dutch Film Museum and restored in 1988. ~ Dan Pavlides, All Movie Guide
Roger Ebert @ Chicago Sun-Times, September 25, 2005 wrote:
There is an astonishing sequence in Robert J. Flaherty’s “Nanook of the North” (1922) in which his hero, the Inuit hunter Nanook, hunts a seal. Flaherty shows the most exciting passage in one unbroken shot. Nanook knows that seals must breathe every 20 minutes, and keep an air hole open for themselves in the ice of the Arctic winter. He finds such a hole, barely big enough to be seen and is poised motionless above it with his harpoon until a seal rises to breathe. Then he strikes and holds onto the line as the seal plunges to escape.
There is a desperate tug of war. Nanook hauls the line 10 or 12 feet out of the hole, and then is dragged back, sliding across the ice, and pulls again, and again. We can’t see, but he must have the line tied to his body — to lose would be to drown. He desperately signals for his fellow hunters to help him, and we see them running across the ice with their dogs as he struggles to hold on. They arrive at last, and three or four of them pull on the line. The seal prevails. Nanook uses his knife to enlarge the hole, and the seal at last is revealed and killed. The hunters immediately strip it of its blubber and dine on its raw flesh.
Krazy Kat and Ignatz set out for the wilds on Krazy’s bike; Krazy’s promises to teach Ignatz about bugology. After crashing the bike into a tree, they come upon a bee (Krazy says it’s sleeping, Ignatz says it’s dead) and an elephant. Krazy works his magic on one of them, Ignatz on the other. Hearts swell inside the animals’ chests.
The Saphead is a 1920 comedy film featuring Buster Keaton. It was the actor’s first starring role in a full-length feature and the film that launched his career.
The plot was a merging of two stories, Bronson Howard’s play The Henrietta and the novel The New Henrietta by Victor Mapes and Winchell Smith, which was meant to be an adaption of Howard’s play.
Way Down East (1920) is a silent film directed by D. W. Griffith and starring Lillian Gish. It is one of four film adaptations of the melodramatic 19th century play Way Down East by Lottie Blair Parker. There were two earlier silent versions, and one sound version in 1935, starring Henry Fonda.
Griffith’s version is particularly remembered for its exciting climax in which Lillian Gish’s character is rescued from doom on an icy river. Some sources, quoting newspaper ads of the time, say a sequence was filmed in an early color process, possibly Technicolor or Prizmacolor.
One of the few pre-Revolution Russian feature films to survive, Father Sergius is an elaborate picturization of a Tolstoy novel. Ivan Mozzhukin plays a young, libertine officer who thinks nothing of committing casual sins while in the service of the Czar. He comes to regret his misdeeds as he grows older, his past debaucheries manifesting themselves in his wizened face and desiccated body. He wanders up and down the countryside, searching for redemption. Director Feodor Protazanov emphasized the high and low points of Mozhukin’s life by filming in the actual palaces and private clubs described by Tolstoy in his novel. The overall theme of corruption in high places automatically resulted in Father Sergius being banned by the Czarist censors, though the film found a more receptive audience once the government passed into the hands of the revolutionaries. ~ Hal Erickson, All Movie Guide
Based on story by Ivan Shmelev.
The movie action starts very close before February democratic revolution in Russia in 1917.
Fate is cruel to waiter of capital city restaurant Skorohodov: his son dies on front, his wife perishes from grief, his daughter is excluded from grammar school because of lack of money to pay tuition.
Skorohodov decides to rent one of rooms in his poor apartment to a decent young man named Sokolin who is working as a courier in war industry committee .
The lodger and a girl fall in love with each other and soon decide to get married.
In meantime the father appoints his daughter as a violiinist in restaurant orchestra.
But rich factory owner Karasev rudely molests young blonde violinist and through blackmail expects to make her his mistress.