In the mood for a little blasphemy today? Then allow me to introduce you to ‘The Man from Earth’. Now I can’t tell you why this film is so blasphemous as that pretty much ruins the thing and as it is I’ve said too much already, but this is a work of fiction which does openly challenge some long held religious beliefs. Keywords being ‘work of fiction’ so I see no reason for anybody to watch this film and get all upset because it’s just a story that Jerome Bixby made up. The only thing that we’re concerned about here is if this filmed work of fiction is entertaining, and to that end allow me to say it is very entertaining. Continue reading
A farmer’s wife is seduced into running away from her stolid older husband by a city slicker, who enslaves her in a brothel.
Literature is full of triangle dramas, but very few of them can beat Juhani Aho’s “Juha” (1998) for deepness of emotions and understanding of all three parties. The story is straight and strong, yet full of detail, just waiting to be ruined by cinematic means.
I had planned to film “Juha” almost as long as we had planned to make a silent movie with composer Anssi Tikanmäki. One day we were clever enough to put the ideas together and the catastrophe was ready.
Afterwards I’m not surprised that all efforts (except Tati’s “Mon Oncle”) to make a silent film during the last decades have somehow failed; the easiness of explaining all by words has polluted our story telling to a pale shadow of original cinema.
We can never again make films like “Broken Blossoms”, “Sunrise” or “Queen Kelly” because since film started to gable with mumble and all that hoochie-coochie and fancy words, stories have lost their purity, cinema its essence: innocence.
(Aki Kaurismäki) Continue reading
Débarquement du congrès de photographes à Lyon
Maths Jesperson on IMDb wrote:
Members of the French Photographic Society arrive from a riverboat to their congress venue in Neuville-sur-Saône on a summer day. They go ashore across a wooden landing stage. Among the many men in straw hats are also a few women in long skirts. Some of the men lift their hats toward the photographer when passing. Many of them are carrying their own cameras. Continue reading
Catalogue Lumière wrote:
Vue N° 45
“Des enfants traînent leurs filets sur la plage à mer basse : les fillettes, les jupes relevées, rivalisent d’entrain avec les garçons dans cet exercice.”
– Un des personnages porte un panier sur lequel est inscrit “Shrimp” [crevette].- Une vue supplémentaire et non cataloguée représente le même sujet. Continue reading
Samuel Beckett, the celebrated author of Waiting for Godot, made a single work for projected cinema. It’s in essence a chase film; the craziest ever committed to celluloid. It’s a chase between camera and pursued image that finds existential dread embedded in the very apparatus of the movies itself. The link to cinema’s essence is evident in the casting, as the chased object is none other than an aged Buster Keaton, who was understandably befuddled at Beckett and director Alan Schneider’s imperative that he keep his face hidden from the camera’s gaze. The archetypal levels resonate further in the exquisite cinematography of Academy Award-winner Boris Kaufman, whose brothers Dziga Vertov and Mikhail Kaufman created the legendary self-reflexive masterpiece Man With a Movie Camera. Commissioned and produced by Grove Press’s Barney Rosset, FILM is at once the product of a stunningly all-star assembly of talent, and a cinematic conundrum that asks more questions than it answers. Continue reading
The tale of a dancer rejected by her lover and forced to endure other indignities in order to support her child is shown in avant garde style and traditional narrative techniques, with camera angles and architectural design defining the emotional states of the characters. Featuring Eve Francis, Jaque Catelain and Marcelle Pradot. Continue reading
Restored by “La Cinémathèque Française” in 1988
A ghost has been seen during the night in the Louvre Museum (Paris), and a guard is found dying near the statue of Belphégor, a god of Moabites and Ammonites. A young reporter, Jacques Bellegarde, begin to investigate but soon he’s being threatened by some letters sent by … Belphégor
It’s a silent mini-serie in 4 parts, after a popular book of Arthur Bernède, in the style of the 1st Fantômas (in fact, René Navarre was Fantômas in the Louis Feuillade’s movie)
Nearly 40 years later, a remake of this serie was made with Juliette Greco and met a great success in France, and is much better known that this one. Continue reading