Stefan Uher – Slnko v sieti Aka The Sun in a Net (1962)


A student, Oldrich “Fajolo” Fajtak, has a romantic attachment to two girls: his hometown love Bela, and Jana – a lover whom he meets during a summer job on a collective farm. One storyline of the film peels layers off Bela’s permanently tense home life marked by her blind mother’s helplessness, her father’s past break with his father who lives in the village where Fajolo is finding some consolation in the arms of his new lover Jana. As Fajolo begins to pry into Bela’s grandfather’s secrets, she, in turn, allows her new boyfriend Peťo to read and deride Fajolo’s remorseful letters from the farm. This lovers’ triangle provides the film with several oppositions: town and country, intelligentsia and worker, collective and personal truth in communist Czechoslovakia. The potential symbolism of the film appeared ominous to the Communist authorities bent on banning the film, but the nascent political thaw helped the filmmakers prevail and the release of “The Sun in a Net” became its harbinger in Czechoslovak film and culture.
Stanislav Szomolányi’s location cinematography and Ilja Zeljenka’s musique concrète score remain striking. Continue reading

Juraj Lehotsky – Zázrak AKA Miracle (2013)


Juraj Lehotský’s riveting feature debut is about a troubled 15-year-old named Ela (electrifiying newcomer Michaela Bendulová) sent to live in a correctional facility. Forced there by her mother and cut off from the outside world, she keeps to herself, preferring to spend her time in solitude writing letters to her boyfriend. After escaping during New Year’s celebrations, she moves in with him, in the garage below the train tracks he calls home. Her life soon moves in unexpected directions, and, after a series of unpredictable events, Ela faces a life-changing decision. An official selection at the Toronto International Film Festival, Miracle is intense, daring filmmaking. Continue reading

Ján Lacko – Skalni v ofsajde aka Soccer Fans (1960)


Three soccer fans are determined to do literally anything to get to the soccer match between Czechoslovakia and the famous representation team of Brazil. Reaching their goal to see the dream match live cannot be precluded neither by a sudden work task nor family obligations. However, there is one more obstacle in their way: for some time, their enthusiastic behavior during soccer matches has been monitored by the police. This time, it will not be easy for them to get to the stadium. Continue reading

Mira Fornay – Môj pes Killer AKA My Dog Killer (2013)


Marek has no real friends except his guard dog and hangs out with skinheads. When his dispirited mother reappears in his life, Marek faces a horrible predicament. An authentic and hypnotic chronicle of a sluggish existence always on the verge of explosion.

A small village on the Slovak-Moravian border. Strangers are not welcome here. Locals seem to be suspicious even of each other. This is where eighteen-year-old Marek lives. His guard dog is his only true friend. Neglected by his relatives, he has found an illusory escape in the company of local skinheads. Nazi without a cause, he blindly follows them, and they train him exactly like he trains Killer, his dog. When his mother and young half-brother suddenly appear in his life, Marek faces a terrible dilemma. Either he will violently explode or he will find an inner capacity for the compassion he is so scared of. Continue reading

Zbynek Brynych & Jerzy Skolimowski & Peter Solan – Dialóg 20-40-60 (1968)


This film is an experiment. One dialogue, three filmmakers, three stories. Jerzy Skolimowski (Polish), Peter Solan (Slovak), and Zbynek Brynych (Czech) created their variations of the same conversation. Focusing on couples in their twenties, forties, and sixties, these three inventive sketches illustrate the emotional interaction between a man and a woman. Continue reading

Elo Havetta – Slávnost v botanickej záhrade AKA Celebration in the Botanical Garden (1969)


This colorful ”fairy”-tale is about the need of miracles in life and of letting the charms of nature, where every single particle is in constant motion, take over as if in an impressionist painting. It is a mosaic built of the stories of Mária and Pierre. Mária, a tavern-keeper tries again and again to lead Pišta, the father of her eight daughters, to the wedding altar. Pierre by his arrival disturbs the peace of the wine-growing village of Bábindol but at the same time he shows its inhabitants how to really enjoy life.

This film tied for the Grand Prize at the Mannheim Film Festival in 1969. Continue reading