Brimming with sex and violence, The Wound is an exploration of tradition and sexuality set amid South Africa s Xhosa culture. Every year, the tribe s young men are brought to the mountains of the Eastern Cape to participate in an ancient coming-of-age ritual. Xolani, a quiet and sensitive factory worker (played by openly gay musician Nakhane Touré), is assigned to guide Kwanda, a city boy from Johannesburg sent by his father to be toughened up, through this rite of passage into manhood. As Kwanda defiantly negotiates his queer identity within this masculine environment, he quickly recognizes the nature of Xolani s relationship with fellow guide Vija. The three men commence a dangerous dance with each other and their own desires and, soon, the threat of exposure elevates the tension to breaking point. Continue reading
Renowned director Rehad Desai returned to the events of August 2012, when the Marikana mine in South Africa experienced the worst episode of bloodshed since the end of apartheid. For seven days, thousands of miners protested for a living wage. The non-violent demonstration was brought down through an intervention by state police forces, in which more than 30 miners were shot dead and many others injured. In this political thriller, the director reconstructs the sequence of events through testimonies and footage of the massacre, drawing a disturbing picture of the mechanism of power in South Africa, where corporations make profits by exploiting the poorest. One World present the film’s world premiere. – See more at: link Continue reading
IMDB user comment:
Excellent, well-produced documentary
This is one of the better historical documentaries that I have seen in awhile covering any subject. Producing a documentary on Nelson Mandela is a rather formidable undertaking, and I believe that the filmmakers prove to be up to the task. The film portrays Mandela not as a saint, but as a human being — yes sometimes egotistical, but steadfast throughout his struggle. One of the most memorable parts of the film (edited marvelously) for me was the section describing the Sharpeville massacre (including actual footage) and how this event was key in turning Mandela from non-violence to armed struggle. Also powerful is the coverage of Mandela’s first trial on treason. Not only is footage woven in with interviews of key colleagues of Mandela, but one can see from the interview subjects that the fight against apartheid in South Africa was not merely a black versus white struggle. The struggle, in fact, encompassed a number of different ethnicities — even Afrikkaners.
from imdb review:
A young boy is travelling with his grandfather in a light aircraft, the grandfather suffers a coronary and dies, the plane crashes, leaving the boy and his dog to fend for themselves. The boy’s father mounts a search for his son, little knowing that his son has been found by a group of Bushmen who take care of him after many threatening adventures in which the boy faces spitting cobras and hungry hyenas, all the while keeping his dog Lollie safe and praying for his father to come and rescue him. The scene among many in this film which remains seared in the minds of all who saw it when it was first released is the sight of the Bushmen offering the child some meat ~ he freaks, thinking mistakenly that they have killed his dog. Continue reading
Strong narrative drive and a lived-in sense of community distinguish “Life, Above All,” helmer Oliver Schmitz’s traditional but emotionally rich adaptation of Allan Stratton’s novel “Chanda’s Secrets.” A forceful account of a courageous 12-year-old fighting small-minded prejudice in her South African village, well-made pic maintains a tight enough focus on its heroine to avoid becoming a topical tract on the issues it grapples with, namely the AIDS epidemic, infant mortality and child prostitution. Positive critical response should give this Un Certain Regard hit a strong shot at offshore play. Continue reading