It’s been fifteen years since the apparent murder of a young child. Detective Chang-Ho (played by Kim Sang-kyeong) discovers something astonishing at an emotionally charged location- a place only known by himself, the child’s mother, and the the girl’s kidnapper. With this, a race quickly begins to try and apprehend the criminal before the statute of limitations run out. Continue reading
Sunhi (Jung Yu-Mi) graduated from college, majoring in film. In order to ask about a recommendation letter from Professor Choi (Kim Sang-Jung) to study in the US, she visits her university after a long time. Sunhi expects Professor Choi to give her a good recommendation letter because he likes her. She also meets two other men she knew: Moon-Soo (Lee Sun-Kyun), who just became a film director, and Jae-Hak (Jung Jae-Young), who is a well established film director. Continue reading
Once upon a time, under the reign of the three kingdoms, there was a woman who tempts a Buddhist priest named Cho. She is a one-thousand-year-old fox who intends to reincarnate as a human being. Not knowing this, Cho lives with the fox. But in the end, they get separated harboring sadness of unfulfilled love in this world.
- Written by KCCLA Continue reading
A semi-documentary concerning the violent lives of delinquent teenagers in Seoul, Bad Movie (나쁜 영화 – Nappeun yeonghwa) aka Timeless, Bottomless Bad Movie is an award-winning 1997 South Korean film directed by Jang Sun-woo. Continue reading
A woman catches her husband cheating and in a fit rage brings a knife into his bedroom, slips under the covers and tries to castrate him. He awakes and thwarts her impetuous plot but still wracked with anger she then visits her teenage son’s room and dismembers him instead.
The above plays out over mere minutes but to say any more about the events that unfold would only dilute its impact. Safe to say, things only get worse and more bizarre as the film’s protagonists are pushed to delirious extremes. It’s not exactly a restaging of the Oedipal Complex (though some of its elements are evident) but it does borrow a lot from Greek tragedy, though it’s a bit more extreme than what you would find in the Classics.
Plot / Synopsis
Forensic pathologist Kang is assigned to examine the dismembered corpse of a female murder victim. Detective Min points to a fanatic environmentalist, Lee Sung-ho, as the primary suspect. But when Kang’s daughter is kidnapped, a manipulative game begins between Kang and Lee, who holds secrets about the homicide case. Continue reading
Is she tired of life or love? Why else is Haewon falling asleep in a restaurant? Haewon, a student, feels abandoned. Her mother is about to emigrate to Canada and Haewon has decided to end her affair with one of her professors because he is so unsupportive. Not only do Haewon’s fellow students get wind of the affair, but her married paramour refuses to accept that their relationship is over. Confused, Haewon withdraws into her shell. Other men cross her path which eventually leads her to an old fortress in the mountains above Seoul. There she finds not only rice wine and a familiar melody, but also a bold escape route.
In his previous films, Hong Sangsoo explored love’s unfathomable paths and the impossibility of relationships from the point of view of his male heroes. Now he changes perspective. However, the emotional world of his protagonists is no less puzzling and fickle – just like Haewon herself, a young woman who likes to dream. And perhaps this film is simply one of these dreams, from which she will awake to find herself in the strangest of places. For who can say how unreal our waking life is, or how real our dreams?