Carlos Saura – Goya en Burdeos AKA Goya in Bordeaux (1999)

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Plot:
Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He’s living with his much younger wife Leocadia and their daughter Rosario. He continues to paint at night, and in flashbacks stirred by conversations with his daughter, by awful headaches, and by the befuddlement of age, he relives key times in his life, particularly his relationship with the Duchess of Alba, his discovery of how he wanted to paint (insight provided by Velázquez’s work), and his lifelong celebration of the imagination. Throughout, his reveries become tableaux of his paintings. Continue reading

Pedro Almodóvar – Volver (2006)

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Quote:
There is no director alive more connected to the hearts, minds and mysteries of women than Spain’s Pedro Almodovar. With a string of masterworks stretching from Women on the Verge of a Nervous Breakdown to All About My Mother and Talk to Her, Almodovar is a filmmaker worth following anywhere. In Volver (“return”), a movie that leaps off the screen to take its place in your dreams, the writer-director tells a ghost story that manages to include lust, incest, rape and murder. You’ll laugh, too — wildly, helplessly — because to Almodovar, laughter is life. Continue reading

Alberto Rodríguez – El hombre de las mil caras AKA The Man with Thousand Faces (2016)

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The story of a man who fooled an entire country. A tale of cheats and impostors, taking its inspiration from true facts and from one of the most intriguing characters of recent decades: the spy Francisco Paesa.

Nominated at
31st Goya Awards
Premios Feroz 2017 Continue reading

Jaume Balagueró & Paco Plaza – [Rec] (2007)

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While covering the night shift at a small-town fire department, an ambitious young television reporter (Manuela Velasco) and her cameraman follow the crew on a call to rescue an elderly woman unable to escape the inferno that is consuming her home. Upon their arrival at the scene, the calm midnight air is pierced by the sound of horrific screams, and the television report takes an unexpectedly dark turn. Continue reading

Gonzalo Suárez – Morbo AKA Morbidness (1972)

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This Spanish thriller by dilettante director Gonzalo Suarez tells the story of two newlyweds and the uncanny happenings that attend their low-budget honeymoon. For much of the film the audience is treated to scenes of freshly-married bliss. The couple have parked their car/camper combination in a remote area, and generally frolic around. Then they begin to experience some odd occurrences, such as one of their two hamsters killing the other one. When hubby discovers a nearby home where he can get water, the story gets much more complicated and involves a blind woman, a murderer, and some inexplicable symbolism. Continue reading

Pilar Miró – El Crimen de Cuenca AKA The Cuenca Crime (1980)

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The Cuenca Crime (79) became a cause celebre for critics of the limitation on freedom of expression in Spain (the film is set in 1912 and is about an innocent peasant tortured by two members of the Civil Guard in order to extract a murder confession). The film was briefly suppressed and Miro was tried unsuccessfully for defamation. When released in 1981, it became the highest grossing film in Spanish box office history. Continue reading

José Luis Borau – La Sabina (1979)

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A Brit named Michael, comes to Andalusia in the footsteps of an English writer disappeared in that area in the nineteenth century. The mystery, the charm of the place and the fierce beauty of local women catch him completely. Cultural and emotional shock have as a background to the legend of La Sabina, a mythical being who lives in caves and devours men after having sex with them.
Many years ago not to watch this extraordinary film. There is no DVD edition. My film is a high quality digital recording. A Masterpiece of Spanish cinema. Co-produced with Sweden and the wonderful Harriet Andersson and Angela Molina. Continue reading