Pere Portabella – Nocturno 29 (1968)

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Synopsis:
A woman walks by her home and finally takes a shower – She buy colored fabrics in a trade. A man visiting a post office – Succession of scenic pictures and semi-autonomous fading almost always unexpected. A series of situations or suite, though apparently unrelated, revolve around a thematic development that gives body and drive the story without resorting to the use of an anecdote as plot continuity. Continue reading

Nacho Vigalondo – Los cronocrímenes aka Timecrimes (2007)

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Plot Outline :
Hector (Karra Elejalde) is spending a few days in the countryside with his girlfriend, Clara (Candela Fernández), when he sees something that catches his attention while playing with his binoculars. Looking at a nearby house near a wooded area, Hector spies a beautiful woman taking her clothes off, and decides to take a stroll and give her a closer look. However, when he arrives at the house several minutes later, the woman is lying in the grass and appears to either be dead or passed out. Continue reading

Jesus Franco – El ojete de Lulú AKA Lulu’s Talking Ass (1986)

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Quote:
Jess Franco and Lina Romay co-directed this film, which is a vile, rather disgusting and lazy “comedy/porno”. The American title is Lulu’s Talking Ass so that should tell you something. In the film, a talking ass (provided by Romay) tells various sexual stories and we get to see the scenes. Even by Franco standards this thing here is pretty useless and the sex scenes never enter the erotic zone but instead go towards the vile level. Once again it seems this film was shot in the matter of days if not hours and it really shows on screen. I had to view the film in Spanish without any subs so I’m not sure if the “talking ass” has any good dialogue or not. The funniest moment of the film is when one of the male actors goes to switch positions and accidentally falls off the bed. Being Franco, he left it in the film. Franco’s opinion of the Academy Awards also gets a special mention since the talking ass comes upon an Oscar and does something to it, which I won’t mention here. Continue reading

Pedro Almodóvar – Mujeres al borde de un ataque de nervios AKA Women on the Verge of a Nervous Breakdown (1988)

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Quote:
Though the kinky characters and aberrant social behavior common to the works of Spanish director Pedro Almodovar are very evident in his Women on the Verge of a Nervous Breakdown, the film is at heart a door-slamming farce in the grand tradition. The tiny apartment of pregnant actress Carmen Maura is the “Grand Central Station” setpiece for this dizzying tale. Distraught over her recent breakup with her lover, Carmen prepares to overdose on sleeping pills, which she blends into a gazpacho so they’ll go down easier. She is diverted from her suicide by her best friend Maria Barranco, a fugitive from justice (her boy friend is a Shi’Ite terrorist) who needs a place to stay. Later, when Carmen’s apartment is empty, her ex-lover’s grown son (Antonio Banderas) comes to the apartment with his fiance (Rossy de Palma) in answer to Carmen’s “room to let” newspaper ad. The wife inadvertently ingests Carmen’s “pill sauce,” and as she blissfully snoozes, the husband inaugurates an affair with Carmen’s friend Barranco. Continue reading

Mario Camus – Los santos inocentes AKA The Holy Innocents (1984)

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Synopsis
based on the novel of the same name by Miguel Delibes

Quote:
Somewhere in the spanish country, in the 60s. Paco and his wife Regula are very poor. They work as tenant farmers for a very wealthy landowner. They have 3 children. One is backward. The others can not got to school because the master “needs” their work. When Regula’s brother is fired from where he has worked for 61 years, he settles down at their little place… An attack against the archaism of the spanish country of the 60s. Continue reading

Pedro Almodóvar – Átame! AKA Tie Me Up! Tie Me Down! (1989)

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Quote:
Just released from residential psychiatry, where he became an all-round handyman, gentle orphan Ricky pursues his sole pathological obsession. Penniless, hence without a chance to court her, he kidnaps porn actress Marina from the set of crippled director Maximo’s last movie. At first she hates her abductor. Once she realizes he risks and bares everything for her, she gets feeling for him to. But won’t she still escape and return to her family and career? Continue reading