A rare book dealer, while seeking out the last two copies of a demon text, gets drawn into a conspiracy with supernatural overtones. Read More »
An aged and powerful magnate is dying. He offers Laura, his young and beautiful mistress, a birthday gift; a sophisticated display of virtual reality in which he will “come to life” for her after his death. But Laura much prefers that her mother, the Duchess, who has taken her place in the magnate’s heart and bed, dies instead. Read More »
The same morning that carnival begins, a serene finds in Madrid the corpse of a rich and greedy lender who has been murdered. The main suspect is a seller of watches that owed much money to the old woman, but her daughter, not content with the arrest of his father, begins to investigate on their own … Read More »
In this long interview done by the TVE (Televisión Española), Julio Cortázar reveals details on the creative process of his tales and which were his writing habits. During the interview (TV program “A fondo”, 1977), the Argentinean writer also talks about his family, his first writings, about Argentina and the exile, among other subjects. Read More »
The medium-length film No compteu amb els dits, Pere Portabella’s first work as a director, starts with the following phrase: “defeated…but not conquered”. This may or should be taken as an allusion to the technical K.O. taken by Portabella from Franco’s regime during the sixties as regards his work as a producer. Through the extremely raging playthings of the words of Catalan poet Joan Brossa, Portabella attempts to dismantle the forms of advertising discourse of that time. —pereportabella.com Read More »
A young man, Marco, working as a butcher, accidentally kills a taxi driver. His girlfriend Paula wants to go to the police so he has to kill her too. He then has to kill his brother, his brother’s fiancée and his father, who have become suspicious. He gets rid of the bodies by taking them to a slaughterhouse. Read More »
After years in Mexican exile, Buñuel returned to his native Spain to make this dark account of corruption, which was immediately banned. A young nun, full of charity, kindness, and idealistic illusions about humanity, visits her uncle and tries to help some local peasants and beggars. But her altruism is greeted with ridicule and cruelty. Pinal gives a superb performance in the title role, and Buñuel’s clear-eyed wit is relentless in its depiction of human selfishness, ingratitude, and cynicism. The final beggars’ orgy – a black parody of the Last Supper, performed to the ethereal strains of Handel’s Messiah – is one of the director’s most memorably disturbing, funny, and brutal scenes. A masterpiece.
— Timeout. Read More »