A single mother struggles to pay the rent and put food on the table for her 10 year old son.
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Often described as “the Spanish A Clockwork Orange”, this controversial shocker is set in a violent near-future world. Honest citizens live in terror as gangs of leather clad, whip-wielding sadists roam the nighttime streets. Meanwhile, in a top-secret laboratory, strange mind control experiments are being conducted. Against this background a beautiful nurse tries to ease the pain of those condemned to die. But who really is this angel of mercy and what is the purpose of her mission? Continue reading
“This is the second Eloy de la Iglesia film I have seen (the first being CANNIBAL MAN) and I found it to be an excellent thriller. Lonely housewife Carmen Sevilla begins to let her imagination get the best of her when she hears a man’s footsteps in the apartment above her late at night. Her upstairs neighbor (Patty Shepard) insists it was her husband who had returned from business, but Sevilla doesn’t believe her and begins to investigate. This is a great film, with lots of nice twists along the way and an incredible dream sequence. The final revelation is one that will have you thinking for hours afterwards. I enjoyed this much more than the straight forward CANNIBAL MAN.”
by udar55 IMDB review Continue reading
Several biographical facts: Oleg Nikolayevich Karavaychuk (1927) played the piano for Stalin as a child prodigy, attended the Leningrad Conservatory and in the course of his career primarily wrote music for theatre and film – for instance, for Paradjanov and Muratova. In Russia, he is admired for his music and his playing, but also for his unique and eccentric personality. At the age of 89, Karavaychuk is still a controversial and puzzling figure in Russian culture. Who is this man, who looks as if he stepped out of a story by Gogol?
The beautiful film that the young Andrés Duque made about him is a gift to the viewer, a gift from an old artist who wants to be reconciled with the world and who transports us away from reality with words, gestures and piano playing, free of social conventions, to a world where clashing dissonants have a liberating beauty. – IFFR Continue reading
Julieta (Emma Suarez) is a middle-aged woman living in Madrid with her boyfriend Lorenzo. Both are going to move to Portugal when she casually runs into Bea, former best friend of her daughter Antia, who reveals that this one is living in Switzerland married and with three children. With the heart broken after 12 years of total absence of her daughter, Julieta cancels the journey to Portugal and she moves to her former building, in the hope that Antia someday communicates with her sending a letter. Alone with her thoughts, Julieta starts to write her memories to confront the pain of the events happened when she was a teenager (Adriana Ugarte) and met Xoan, a Galician fisherman. Falling in love with him, Julieta divides her time between the family, the job and the education of Antia until a fatal accident changes their lives. Slowly decaying in a depression, Julieta is helped by Antia and Bea, but one day Antia goes missing suddenly after a vacation with no clues about where to find … Continue reading
Jose Luis Lopez Vasquez stars as a millionaire industrialist who is involved in an auto accident. When he comes to, Vasquez has completely forgotten who he is and how much money he has. His greedy relatives would love to put Vasquez away and claim his fortune. But there’s a fly in the ointment: the money is in a secret Swiss bank account, and the only one who knows (or who knew) the account number is the amnesiac Vasquez. Those familiar with the work of Spanish director Carlos Saura know for darn sure that he’s not about to go the expected route with this surefire material: Garden of Delights, is just that, a bountiful garden of the surreal, the symbolic, the illusory, and at times the hilarious. ~ Hal Erickson, All Movie Guide Continue reading
“Part ethnography, part mystic cinematic mirage, this beautiful and evocative portrait of Yé, a remote village on the island of Lanzarote, is a paradoxically opaque work of tactile pleasures. Shot on expired 16mm celluloid, the film makes a virtue of its degraded textures, granting its images of flora and fauna, coastal vistas and mountainous contours, the look of an excavated travelogue, with scratches and imperfections resonating on the soundtrack as ambient accompaniment to the vast topographical phenomena peering through the fog-shrouded atmosphere. Meanwhile, audio recordings made in the late-sixties by the ethnographer Luis Diego Cuscoy act as ominous narration, the voices relating stories of witchcraft and the occult that, over centuries, have taken on local legend. With an acute eye and ear for natural detail and speculative history, directors Samuel M. Delgado and Helena Girón have constructed both an oral diary and an archaeological account of a far-off land, all the more vivid for never quite coming into focus.” — Jordan Cronk, Fandor Continue reading