Plot Outline :
Hector (Karra Elejalde) is spending a few days in the countryside with his girlfriend, Clara (Candela Fernández), when he sees something that catches his attention while playing with his binoculars. Looking at a nearby house near a wooded area, Hector spies a beautiful woman taking her clothes off, and decides to take a stroll and give her a closer look. However, when he arrives at the house several minutes later, the woman is lying in the grass and appears to either be dead or passed out. Continue reading
Jess Franco and Lina Romay co-directed this film, which is a vile, rather disgusting and lazy “comedy/porno”. The American title is Lulu’s Talking Ass so that should tell you something. In the film, a talking ass (provided by Romay) tells various sexual stories and we get to see the scenes. Even by Franco standards this thing here is pretty useless and the sex scenes never enter the erotic zone but instead go towards the vile level. Once again it seems this film was shot in the matter of days if not hours and it really shows on screen. I had to view the film in Spanish without any subs so I’m not sure if the “talking ass” has any good dialogue or not. The funniest moment of the film is when one of the male actors goes to switch positions and accidentally falls off the bed. Being Franco, he left it in the film. Franco’s opinion of the Academy Awards also gets a special mention since the talking ass comes upon an Oscar and does something to it, which I won’t mention here. Continue reading
Though the kinky characters and aberrant social behavior common to the works of Spanish director Pedro Almodovar are very evident in his Women on the Verge of a Nervous Breakdown, the film is at heart a door-slamming farce in the grand tradition. The tiny apartment of pregnant actress Carmen Maura is the “Grand Central Station” setpiece for this dizzying tale. Distraught over her recent breakup with her lover, Carmen prepares to overdose on sleeping pills, which she blends into a gazpacho so they’ll go down easier. She is diverted from her suicide by her best friend Maria Barranco, a fugitive from justice (her boy friend is a Shi’Ite terrorist) who needs a place to stay. Later, when Carmen’s apartment is empty, her ex-lover’s grown son (Antonio Banderas) comes to the apartment with his fiance (Rossy de Palma) in answer to Carmen’s “room to let” newspaper ad. The wife inadvertently ingests Carmen’s “pill sauce,” and as she blissfully snoozes, the husband inaugurates an affair with Carmen’s friend Barranco. Continue reading
based on the novel of the same name by Miguel Delibes
Somewhere in the spanish country, in the 60s. Paco and his wife Regula are very poor. They work as tenant farmers for a very wealthy landowner. They have 3 children. One is backward. The others can not got to school because the master “needs” their work. When Regula’s brother is fired from where he has worked for 61 years, he settles down at their little place… An attack against the archaism of the spanish country of the 60s. Continue reading
Just released from residential psychiatry, where he became an all-round handyman, gentle orphan Ricky pursues his sole pathological obsession. Penniless, hence without a chance to court her, he kidnaps porn actress Marina from the set of crippled director Maximo’s last movie. At first she hates her abductor. Once she realizes he risks and bares everything for her, she gets feeling for him to. But won’t she still escape and return to her family and career? Continue reading
Harshly treated by the critics on release, of Pedro Almodovar’s work, Kika is perhaps the one that most benefits from re-viewing and re-assessment.
The story of Kika (an astonishing Veronica Forque), a Madrid makeup artist whose relationship with Ramon (Alex Cassanovas) leads to criminal schemes involving Kika’s maid Juana (Rossy DePalma), Jauan’s amorous, criminal brother Pablo (Santiago Lajusticia) and Ramon’s youth-obsessed father Nicholas (Peter Coyote). Overseeing it all is the muckraking, reality tabloid television show presided over by the formidable Andrea Scarface (a uniquely attired Victoria Abril).
Attracting controversy because of the scene in which Almodovar depicts Kika’s rape at the hands of Pablo with humorous detachment, the scene has since come to be more popularly viewed as further evidence of the director’s tribute to the power of women. Continue reading
Una pareja se hospeda en una misma pensión en habitaciones separadas y mantienen contacto a espaldas de la dueña. Metáfora de una sociedad reprimida en la etapa del franquismo, Contactos es una cinta de culto rodada con muy pocos medios e influenciada, principalmente, por el cine de Yasujiro Ozu. (FILMAFFINITY) Continue reading