Jorge Coira – 18 comidas (2010)

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A street musician meets the love of his life again; two drunk men have long drinks and seafood for breakfast; a man cooks, cooks and cooks for a woman that never shows up; two men love each other but they hide; a cooker dreams of being a singer; a young woman wants what a man does not give her while a waiter is dying for her; a Macedonian is lost in Santiago suffering the lack of love; an elderly couple who have already said everything to each other have breakfast, lunch and dinner in silence. All these stories meet in “18 meals” during a single day of fiction, a film of emotions served around a table, a journey along the feelings of the most universal of all fights: the search for happiness. Continue reading

Albert Serra & Lisandro Alonso – Correspondencia: Albert Serra & Lisandro Alonso (2011)

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the original dvdr announce wrote:
This filmic exchange is based on two works that reflect on the way each director films, on the crew and the actors, on the way they see and make cinema. Albert Serra took the characters of Honor de Cavalleria and his regular team of collaborators to follow in the steps of Quixote. Lisandro Alonso returned to La Pampa province to film his work, for which he recalls Misael Saavedra, the lead of his first film, La Libertad. Continue reading

Pere Portabella – Umbracle (1970)

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Pere Portabella (b. 1929, Barcelona) is a veteran Spanish filmmaker whose narrative features—rich in interludes, plot diversions, atmosphere, and unexpected synchronies between sight and sound—limn the avant-garde and expand the expressive potential of cinema. Portabella, who began his cinematic career as a producer of fiction films implicitly critical of General Francisco Franco, had his passport revoked when Luis Buñuel’s Viridiana (1961), which he helped to make, “embarrassed” Spain at the Cannes Film Festival in 1962. When democracy returned to Spain, Portabella served as a senator in the Catalan government. However, throughout his various careers, Portabella continued to make cinema, investigating meaning in the moving image and flexing the notion of genre—particularly for horror films, fantasy films, and thrillers. Continue reading

Alain Tanner – Le Journal de Lady M (1993)

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Quote:
She’s a beautiful gifted performer, but her work is not the sort that invites popular acclaim. Despite the fact that she is unlikely to become famous, she enjoys her life as a performer who lives just outside the mainstream. Awaiting her backstage one evening is a Spanish painter who has seen her show and wants to make her acquaintance. They walk around Paris getting to know one another, and then the painter returns to Spain. Something about the man has moved Lady M to passion: she flies to meet him in Barcelona and he shows her his beloved Catalonia. This time, however, their relationship is as much about passionate lovemaking as it is about compatibility. So smitten is Lady M with her new man that when she discovers that the painter has a black wife and child, she is only a little bit taken aback and she invites his whole family to join her in Paris. Surprisingly, they do, and the number of people sharing their love and sexual appetites changes from two to three. [imdb] Continue reading