Antonio Maenza Blasco – Orfeo filmado en el campo de batalla (1969)

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NB: there is no audio track: Maenza’s films were never mastered or fitted with sound. This rip comes from a digitized work print. His films were sometimes screened with live voice performance commenting on and/or enacting what unrolls visually. The text that was read by performers during the few screenings this had at the time it was made can be read HERE (or via googletranslate)

Quote:
In December 1968 I participated in the film Orpheus Shot on the Battlefield, which originated as a collective work, a movie without an author, but which would ultimately be attributed to Antonio Maenza in the end even though he only played the role of the director in the film. The film, which was never provided a soundtrack, was screened on several occasions with a soundtrack performed live consisting of a text for three voices and a number of musical pieces, among which were the “descent into hell” from the opera L’Orfeo by Monteverdi in the version by Edward H. Tarr, released in 1968 by Erato, “New York 1963 – America 1968” from Every One of Us by Eric Burdon and the Animals; and “The Return of the Son of the Monster Magnet” from Freak Out by [Frank Zappa and] The Mothers of Invention. After the “state of emergency” in January 1969, an epilogue was shot but it was never developed. Continue reading Antonio Maenza Blasco – Orfeo filmado en el campo de batalla (1969)

Jordi Cadena & Judith Colell – Elisa K (2010)

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At eleven, everything in Elisa’s life will lose its innocence. One day whilst her father is asleep and her brother is on a swing outside, her father’s friend will rape her, as she cries he tells her if she stops he’ll give her a silver bracelet. It’s from that moment on she will forget what happened to her for a very long time.

Fourteen years and four months later she remembers. Scared, she calls her mum, “Help me, I’ve remembered something terrible.” Breaking many rules of cinema and featuring unconventional narration throughout, Eliza K is a heartbreaking story that asks the question of how this young woman will carry on with her life. Continue reading Jordi Cadena & Judith Colell – Elisa K (2010)

Agustí Villaronga – Pa negre aka Black Bread (2010)

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Quote:
In the harsh post-war years’ Catalan countryside, Andreu, a kid that belongs to the loser side, finds the corpses of a man and his son in the forest. The authorities want his father to be made responsible of the deaths, but Andreu tries to help his father by finding out who truly killed them. In this search, Andreu develops a moral consciousness against a world of adults fed by lies. In order to survive, he betrays his own roots and ends up finding out the monster that lives within him. Continue reading Agustí Villaronga – Pa negre aka Black Bread (2010)

Jorge Coira – 18 comidas (2010)

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A street musician meets the love of his life again; two drunk men have long drinks and seafood for breakfast; a man cooks, cooks and cooks for a woman that never shows up; two men love each other but they hide; a cooker dreams of being a singer; a young woman wants what a man does not give her while a waiter is dying for her; a Macedonian is lost in Santiago suffering the lack of love; an elderly couple who have already said everything to each other have breakfast, lunch and dinner in silence. All these stories meet in “18 meals” during a single day of fiction, a film of emotions served around a table, a journey along the feelings of the most universal of all fights: the search for happiness. Continue reading Jorge Coira – 18 comidas (2010)

Albert Serra & Lisandro Alonso – Correspondencia: Albert Serra & Lisandro Alonso (2011)

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the original dvdr announce wrote:
This filmic exchange is based on two works that reflect on the way each director films, on the crew and the actors, on the way they see and make cinema. Albert Serra took the characters of Honor de Cavalleria and his regular team of collaborators to follow in the steps of Quixote. Lisandro Alonso returned to La Pampa province to film his work, for which he recalls Misael Saavedra, the lead of his first film, La Libertad. Continue reading Albert Serra & Lisandro Alonso – Correspondencia: Albert Serra & Lisandro Alonso (2011)

Pere Portabella – Umbracle (1970)

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Pere Portabella (b. 1929, Barcelona) is a veteran Spanish filmmaker whose narrative features—rich in interludes, plot diversions, atmosphere, and unexpected synchronies between sight and sound—limn the avant-garde and expand the expressive potential of cinema. Portabella, who began his cinematic career as a producer of fiction films implicitly critical of General Francisco Franco, had his passport revoked when Luis Buñuel’s Viridiana (1961), which he helped to make, “embarrassed” Spain at the Cannes Film Festival in 1962. When democracy returned to Spain, Portabella served as a senator in the Catalan government. However, throughout his various careers, Portabella continued to make cinema, investigating meaning in the moving image and flexing the notion of genre—particularly for horror films, fantasy films, and thrillers. Continue reading Pere Portabella – Umbracle (1970)

Alain Tanner – Le Journal de Lady M (1993)

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Quote:
She’s a beautiful gifted performer, but her work is not the sort that invites popular acclaim. Despite the fact that she is unlikely to become famous, she enjoys her life as a performer who lives just outside the mainstream. Awaiting her backstage one evening is a Spanish painter who has seen her show and wants to make her acquaintance. They walk around Paris getting to know one another, and then the painter returns to Spain. Something about the man has moved Lady M to passion: she flies to meet him in Barcelona and he shows her his beloved Catalonia. This time, however, their relationship is as much about passionate lovemaking as it is about compatibility. So smitten is Lady M with her new man that when she discovers that the painter has a black wife and child, she is only a little bit taken aback and she invites his whole family to join her in Paris. Surprisingly, they do, and the number of people sharing their love and sexual appetites changes from two to three. [imdb] Continue reading Alain Tanner – Le Journal de Lady M (1993)