Lisa Aschan – Det vita folket (2015)

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Variety wrote:
Swedish director Lisa Aschan decided to follow up her critically acclaimed film “She Monkeys” with “White People,” which she describes as “a space odyssey inspired by ‘The Shining.’” The story follows a group of people who are kidnapped from the street and held hostage in an underground prison to await deportation. Will they escape? What will be the cost of freedom? The thriller opens up a discussion about universal themes of power and hierarchy. Continue reading

Jan Troell – Ingenjör Andrées luftfärd AKA The Flight of the Eagle (1982)

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Based on the novel by Per Olaf Sundman, Ingenjör Andrées Luftfärd (Flight of the Eagle) tells the real-life story of a Swedish engineer’s attempted expedition to the North Pole in a balloon. Jan Troell directs this over two-hour adventure drama set in 1897. Max Von Sydow stars as Salomon August Andrée, the engineer who leads the tragic journey in a balloon called The Ornen (The Eagle). He is accompanied by explorers Nils Strindberg (Goran Stangertz) and Knut Fraenkel (Sverre Anker Ousdal). Ingenjör Andrées Luftfärd was nominated for Best Foreign Language Film in the 1983 Academy Awards. Using his experiences making this film, Troell went on to make the hour-long documentary En Frusen Drom (A Frozen Dream) in 1998 with archival information from the remains of the expedition found in 1930 on an island near the North Pole. ~ Andrea LeVasseur, All Movie Guide Continue reading

Jan Troell – Nybyggarna AKA The New Land (1972)

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For many, The New Land will be where Jan Troell’s two-part Swedish immigrant story set in 19th-century America really starts to take off. In many ways, The Emigrants [review] was merely preamble to get us here.

Released in 1972, a year after the previous entry, The New Land picks up the story of the Nilsson family almost immediately after the final scene in The Emigrants. Karl Oskar (Max von Sydow) has claimed a patch of riverside Minnesotan land as his own, and he’s bringing Kristina (Liv Ullman) and the kids, along with his younger brother Robert (Eddie Axberg), to start transforming it into a home and farm. The work will be hard, but it ends up being rewarding, and the Nilssons become part of a growing community of Swedish transplants. Continue reading

Ingmar Bergman – Ingmar Bergman Bris Soap Commercials (1951)

In 1951 there was a conflict in the Swedish film industry. The production companies had declared a ban on filming in protest against the high rate of tax on entertainment. Recently remarried, Ingmar Bergman, found himself with three families to support, and his contract with the Gothenburg City Theatre had expired. In order to earn any income whatsoever that year, he agreed to direct nine commercial for Bris soap on behalf of Swedish Unilever. It seems more than a coincidence that Sweden’s most famous film director should be the one to take the country’s advertising to a higher plane: the Bris films were the most lavishly funded that the country had ever seen. Continue reading

Ingmar Bergman – Vargtimmen AKA Hour of the Wolf [+Extras] (1968)

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Madness and demonism, present in many of Bergman’s films, are made the explicit themes of Hour of the Wolf. Here they are associated with artistic creativity. Alma (Liv Ullmann) tells of her life with her artist husband, who disappeared, leaving only his diary. “The first of three films featuring Max von Sydow as Bergman’s alter ego, the artist in retreat to an island (Fårö, the director’s own home) where all his demons and imagined monsters can come out to play, threatening to possess their creator and ‘disappear’ him into the darkness behind the brain. A strikingly Gothic tale of horror, Hour of the Wolf owes much to Bram Stoker’s Dracula in its evocation of the artist’s admirers and tormentors as vampires, flocks of flesh-eating birds and insects.” –Kathleen Murphy, Film Society of Lincoln Center Continue reading

Bo Widerberg – Elvira Madigan (1967)

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“Exquisite” is only the first word that surges in my mind as an appropriate description of Elvira Madigan, a Swedish film by Bo Widerberg that was put on at the late show in Philharmonic Hall last night. For exquisite it is in all the lovely and delicate sense of the word as used to define the felicities of sensuous experience. Continue reading