She Monkeys is about the art of survival. We follow 15 year old Emma, her seven year old little sister Sara, and Emma’s newfound friend, Cassandra. Emma and Cassandra meet at the vaulting club. They initiate a relationship filled with physical and psychological challenges. Emma does whatever it takes to master the rules of the game. Lines are crossed and the stakes get higher and higher. Despite this, Emma can’t resist the intoxicating feeling of total control. Read More »
Legendary director Ingmar Bergman rarely gives interviews, but in 1999 he made an exception for journalist Malou von Sivers of TV4 International Sweden. Together with his best friend and frequent collaborator, the renowned Swedish actor Erland Josephson, Bergman discusses life, death, and love in this charged and highly candid interview. Read More »
Story of a gang of young people who live in one of the concrete ghettos outside Stockholm. They commit a series of murders of those they feel responsible for their situation. This one is often described as a cheap Swedish Clockwork Orange spin-off
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Description: “Face to Face was intended to be a film about dreams and reality. The dreams were to become tangible reality. Reality would dissolve and become dream. I have occasionally managed to move unhindered between dream and reality, in Persona, Sawdust and Tinsel and Cries and Whispers. This time it was more difficult. My intentions required an inspiration which failed me. The dream sequences became synthetic, the reality blurred. There are a few solid scenes here and there, and Liv Ullmann struggled like a lion, but not even she could save the culmination, the primal scream which amounted to enthusiastic but ill-digested fruit of my reading. Artistic license sneered through the thin fabric.”
— Ingmar Bergman, The Magic Lantern Read More »
Vilgot Sjöman (I Am Curious — Yellow 1967) and a crew from Swedish Television followed Ingmar Bergman during the filming of Winter Light and came away with a five-part documentary, including set construction, rehearsals, editing, and behind-the-camera conversations with Bergman and the cast and crew, and audience reactions to the film. Written by Bubbleofearth Read More »
This short was made for Swedish television and was actually aired in 1986, unlike imdb claims.
“This is a surprising and lovely film, and thoroughly engrossing, given its brief length. Shot and framed with exquisite care, it validates a favorite past time and the value of looking at old photographs of family members to gain insight into one’s self.
Amassing as many of the old photos as he could of his parents and grandparents, their relatives and offspring, Bergman takes long, lingering views of their faces, their hands, the expressions in their eyes and mouths, registering for us all, something special in the faces of siblings and relatives young and old. These are long loving looks, with no narration, just a piano playing a simple slightly abstract tune. It was quite moving to see, just through juxtaposition, what Bergman could lead us to think about how he regards his mother, father, aunts, uncles, cousins, — anyone who was pictured, including himself as a boy. Read More »
In the sixteenth century, the Swedish king availed himself of mercenaries from other nations to wage his wars, however, rumors of mutiny and insurrection made him banish and imprison a force of Scottish soldiers. Having escaped prison, three such mercenaries find themselves adrift in the icy wasteland of the severe Swedish winter. Half mad from starvation and drink, they commit a senseless and utterly bestial crime. Although they initially manage to evade justice, no ship is able to carry them away through the frozen waters and back to Scotland. They remain stranded on the coast of Sweden, waiting for Spring to arrive, knowing not that destiny’s nimble hands are weaving its web around them with every passing day. Read More »