Julie N. Books – What is Film? (2016)

In What Is Film?, Julie N. Books critically evaluates three philosophical doctrines of film realism (transparency, illusionism, and perceptual realism) and defends her view that films are creative works of art. By examining contemporary films, such as computer-animated films and films with computer-generated images, Dr. Books shows how films are creative works of art, thereby undermining the long-held view that films are slavish recordings of reality. This book is ideal for academics and courses on the philosophy of film, film theory, film history, filmmaking, metaphysics, and the philosophy of art. Continue reading

Theodor Boder – Strasek, der Vampir (1982)

Serbia, in the year 1910: Milena Strasek has lived with her 12-year-old son Stefan in a small village since the father abandoned the family shortly after Stefan was born. Many years of uncertainty concerning the man’s whereabouts have taken their toll: Milena Strasek falls seriously ill and dies, leaving her son alone in the empty house. The father appears the following night. He has come to take his son, but Stefan refuses to go with him. It is a fateful encounter, changing Stefan for the rest of his life. Continue reading

Alain Tanner – Jonas et Lila, à demain (1999)


Jonas et Lila: A Demain
by Paul Kalina March 2000 Senses of Cinema

So far at least, new millennium events appear to have produced little of lasting value, apart from early retirement packages for those well placed in the IT sector.

But there has been one legacy cinephiles are likely to relish. With great foresight, Swiss director Alain Tanner commemorated the new millennium and the 25th birthday of his fictional character Jonas, born of course during Tanner’s 1976 film Jonas qui aura 25 en l’an 2000 (Jonas Who Will Be 25 In The Year 2000), with a follow-up film, Jonas et Lila: A Demain (1999). Continue reading

Jesús Franco – Frauen im Liebeslager AKA Love Camp (1977) (HD)


A group of women are kidnapped by guerrillas and forced to serve as prostitutes for them in a jungle brothel. The sadistic female warden decapitates uncooperative girls.

Jess Franco has made some odd exploitation movies in his long and prolific career, and ‘Love Camp’ is one of his nuttiest. Never one to shy from jumping on a bandwagon, the title of this seems to deliberately evoke the legendary nazisploitation sleazefest ‘Love Camp 7’, and the plot in some ways is reminiscent of ‘Salo’, but with a twist. The twist being, that we aren’t talking nazis here but revolutionaries. A group of young and beautiful women are kidnapped, taken into the jungle (what country? who knows) , and forced to be sex slaves for “the revolution”. Continue reading

Talkhon Hamzavi – Parvaneh (2012)


About the Film
A 25 minute Swiss short film; which was nominated for an Academy Award, for Best Live Action Short Film, at the 87th Academy Awards. The short is about an Afghan immigrant, living in Switzerland, who’s desperately trying to send home money to her family; but can’t due to lack of identification. She finds help from a local Swiss girl; who’s nothing like her. The film was written and directed by first time filmmaker Talkhon Hamzavi and stars first time film actresses; Nissa Kashani and Cheryl Graf.
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Cleo Uebelmann – Mano destra (1986)


Drama. Dressed in dominatrix leather fetish wear, the director pictures herself tying up her consenting girlfriend in frozen black and white images cut to the sound of high-heels clattering down a never-ending corridor.

“The German Swiss artist Cleo Uebelmann created a myth called “Mano Destra“ when she was only 22 years of age. This tough, black and white movie was first screened 1985 at the first SM Conference for Women „Secret Minds“ in Cologne and initiated a debate about SM. The movie displays a bondage session of dominatrix and her playmate, which demands absolute attention and awareness for both of them. The music, played by the female new wave band Vinyl is as cultic as the movie is a historical document of the SM movement.” (PorYes) Continue reading