Jan Gassmann – Europe, She Loves (2016)

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official site wrote:
Four couples struggle on the edge of mother Europe. In countries troubled by economic and social crises they stumble through life with charme, sex and plenty of passion. A movie about the politics of love. In Sevilla JUAN, 21, and CARO, 23, experience the wonder of a young love. However, Juan is without a plan for the life that lies ahead of him and she desperately needs one. SIOBHAN, aged 28, and TERRY, 23, live in Dublin. When they first met they have fallen for love and heroin like other young habitants of this cold weathered town. But now sober for some time, on their way to lead a common life, their passion seems to disappear. In Tallinn, close to the northeastern border of Europe, VERONIKA, a 29 year old go-go dancer, and her partner HARRI, 31, find themselves caught up in the toil of a patchwork family. Her oldest son proves to be a challenge for Veronikas confidence in Harri. She wants him to accept Artur as his own. Meanwhile in Thessaloniki, Greece, PENNY, 23, is about to leave her longtime lover NIKO, 33, to go to work in Italy. But how do you leave someone who loves you too much? Continue reading

Stina Werenfels – Nachbeben AKA Going Private (2006)

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Quote:
Investment banker HP has allegedly ridden out the crash of the stock exchange. One evening, on a barbecue event with his banker friends and their wives, HP’s Danish au pair girl threatens to blow the whistle on her love affair with HP’s married boss. HP wants to please everybody but what was set out to be a gathering amongst friends spins out of control into a night of blackmail and intrigue. The next morning, he has lost everything: his house, his wife, his friends, and his job… Continue reading

Stina Werenfels – Dora oder Die sexuellen Neurosen unserer Eltern AKA Dora or The Sexual Neuroses of Our Parents (2015)

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Quote:
At the age of 18, Dora is just beginning to blossom. Her mother Kristin has recently decided that Dora’s psychotherapeutic medication is no longer necessary. As the mentally disabled young woman rushes headlong into life, a man takes a liking to her. The two soon become sexually involved – much to Kristin’s dismay. Unbeknownst to her parents, Dora continues meeting the dubious man, who is obviously taken with her unrestrained sensuality. Whilst her mother’s attempts to have a second child have thus far been of no avail, Dora becomes pregnant… Continue reading

Tobias Nölle – Aloys (2016)

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Quote:
Aloys Adorn is a middle aged private detective who lives and works with his father. He experiences life from a safe distance, through a video camera he keeps recording 24 hours a day, and the massive collection of surveillance tapes he organizes and obsessively watches at home. But when his father dies, Aloys is left on his own and his sheltered existence begins to fall apart. After a night of heavy drinking, Aloys wakes up on a public bus to find that his camera and precious observation tapes have been stolen. Soon after, a mysterious woman calls to blackmail him. She offers to return the tapes if Aloys will try an obscure Japanese invention called ‘telephone walking’ with her, using his imagination as their only connection. As he is drawn deeper and deeper, falling in love with the voice on the other end of the phone, the woman opens up a new universe that may allow Aloys to break out of his isolation and into the real world. Continue reading

Julie N. Books – What is Film? (2016)

In What Is Film?, Julie N. Books critically evaluates three philosophical doctrines of film realism (transparency, illusionism, and perceptual realism) and defends her view that films are creative works of art. By examining contemporary films, such as computer-animated films and films with computer-generated images, Dr. Books shows how films are creative works of art, thereby undermining the long-held view that films are slavish recordings of reality. This book is ideal for academics and courses on the philosophy of film, film theory, film history, filmmaking, metaphysics, and the philosophy of art. Continue reading

Theodor Boder – Strasek, der Vampir (1982)

Serbia, in the year 1910: Milena Strasek has lived with her 12-year-old son Stefan in a small village since the father abandoned the family shortly after Stefan was born. Many years of uncertainty concerning the man’s whereabouts have taken their toll: Milena Strasek falls seriously ill and dies, leaving her son alone in the empty house. The father appears the following night. He has come to take his son, but Stefan refuses to go with him. It is a fateful encounter, changing Stefan for the rest of his life. Continue reading

Alain Tanner – Jonas et Lila, à demain (1999)

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Jonas et Lila: A Demain
by Paul Kalina March 2000 Senses of Cinema

So far at least, new millennium events appear to have produced little of lasting value, apart from early retirement packages for those well placed in the IT sector.

But there has been one legacy cinephiles are likely to relish. With great foresight, Swiss director Alain Tanner commemorated the new millennium and the 25th birthday of his fictional character Jonas, born of course during Tanner’s 1976 film Jonas qui aura 25 en l’an 2000 (Jonas Who Will Be 25 In The Year 2000), with a follow-up film, Jonas et Lila: A Demain (1999). Continue reading