Saburo and Keiko fall in love with each other but the tide of the war separates them.
It’s a scene that would be cherished and preserved in the cinema’s pantheon of moments were it known; a simple scene – a young man saying goodbye to his girl at her home. They are trying to come to terms with the fact that the fates don’t seem to want to be together. He leaves, and she goes back to the living room and moves to the window to watch him go. Snow is falling steadily. She waits for him to look back, which he does about 10 yards or so away. He starts to come back and stops in front of the window. He’s positioned lower down than her, but after longingly staring at each other, and the camera showing us each of their anguished faces in turn, he stands on tip toe to pucker up his lips to the glass. She in turn motions her head down to meet his lips. Continue reading