Takashi Miike

Takashi Miike – Kishiwada shônen gurentai: Chikemuri junjô-hen AKA Young Thugs: Innocent Blood (1997)

A Takashi Miike film that is, to a degree, autobiographical, Young Thugs – Innocent Blood follows three friends through their first year after leaving school. Having robbed their teacher on their last day at school, Ryoko gets a job in a hair salon, while the two boys settle down to a career of enforcement and protection. Read More »

Takashi Miike – Gokudô kyôfu dai-gekijô: Gozu aka Yakuza Horror Theater (2003)

Quote:
One can certainly wonder why the prolific Takashi Miike is hooked on directing such nutty films. First, lactic effusion, a recurring theme in his cinema (Visitor Q), seems to obsess him, even though that doesn’t explain everything!

Be the judge: a yakuza, at his life’s end, starts to exterminate chihuahuas, convinced that the poor animals have fomented the destruction of his fellow human beings. His paranoiac crises multiply, he becomes a threat for his Organization. His boss orders his execution and charges his most faithful friend to take care of the dirty job. Read More »

Takashi Miike – Naniwa Yuukyoden AKA Osaka Tough Guys (1995)

Regarded as a milestone in cult maestro Takashi Miike’s career, Osaka Tough Guys (Naniwa Yuukyôden) is the bridge between his work as an apprentice director and as an auteur. It also displays the two distinct themes that he would explore in later work. Read More »

Takashi Miike – Silver – shirubaa (1999)

Based upon the manga by Hisao Mali, Silver centres around the exploits of Jun Shirogane (Shinobu Kandori), a karate expert and undercover police officer who conventionally has also undergone FBI training in the US. After her family who worked for the Secret Service are brutally murdered, she agrees to infiltrate a group of criminals known as the ‘Viper’s Nest’. The fact that she is also a karate expert gives her an upper hand in the seedy world of wresting that she has to inhabit in order to mete out justice to her family’s killers, adopting the name of ‘Silver’ as her wresting alter-ego and undercover moniker. Standing in her way, is the beautiful but dangerous, Nancy, a dominatrix and part of the powerful Otsunami yakuza family. Will ‘Silver’ manage to escape the sadistic attentions of Nancy, who is and I quote ‘the most powerful and stimulating woman of her generation’ and take her revenge, or will she become just another masochistic plaything for deadly femme fatale? Read More »

Takashi Miike – Gokudô Sengokushi: Fudô aka Fudoh: The New Generation (1996)

In order to settle a business dispute, a mob leader murders one of his own teenage sons. The surviving son vows to avenge his brother’s death, and organizes his own gang of teenage killers to destroy his father’s organization. Read More »

Takashi Miike – The Man in White Part 2: Requiem for the Lion (2003)

Synopsis:
A rowdy, young yakuza takes revenge against a gang of thousands for the death of his boss.

Review:
Wow! The second and final part Miike’s Yurusarezaru mono (or: The Man in White) is pretty damned impressive! Following directly from the previous part’s cliffhanger ending, Miike steps up the action tenfold, adding new deranged characters to obstruct Azusa’s path of vengeance for the death of his boss. Read More »

Takashi Miike – Yurusarezaru mono AKA The Man in White (2003)

Asuza is a yakusa always dressed in white, a pure, yet tarnished man. A child from the streets, he saw his father assassinated by his older brother, and his mother commit suicide. These traumatizing events haunt him in the present. Asuza is now a member of a criminal group. He has been taken under the wing of the gang’s leader, his new adoptive father. When this second father figure is suddenly assassinated, Asuza plunges rapidly into an infernal revenge scheme. As he searches tirelessly for the killer, he discovers that once again, his older brother is the culprit. A confrontation is inevitable. When Asuza meets his brother face to face, he learns that behind every murder committed, lie motives more complex than they first appear. Read More »