“Hana-bi” is the highly acclaimed drama from and with Takeshi Kitano. In this film Kitano In a very honest way, also works up and reflects about his own inner life after his motorcycle accident that nearly cost him his life. So, it’s no big surprise that he implemented certain aspects of his character in the main lead as he did in Horibe.
With tranquil pictures and on a subtle level Kitano creates a story, that revolves around loneliness, isolation, guilt, love and grief. Very Kitano-like the almost poetically meditative looking pictures are interrupted by sudden bursts of violence. However, this just serves the purpose to imbue the story with the necessary amount of authenticity. Continue reading
To the many ways in which the career of Japanese auteur and action star Takeshi Kitano resembles that of Clint Eastwood, we can now add another: Both have made the increasingly obligatory geezer-comeback film. It was retired astronauts in Eastwood’s Space Cowboys; in Kitano’s Ryuzo and the Seven Henchmen, we get yakuza who hobble out onto not-so-mean-anymore streets attempting to regain their fearsome reputations. A bit sillier than it needs to be to earn the laughs it winds up getting, the likeable picture (which got a Japanese release in April) isn’t colorful enough to reach beyond the director’s established fan base here. Of those who follow Kitano, some will lament his small role onscreen. Continue reading