Terry Gilliam

Terry Gilliam – The Fisher King (1991)

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A radio DJ, suicidally despondent because of a horrible mistake he made, finds redemption in helping a deranged homeless man who was a victim of it.
A Modern Day Tale About The Search For Love, Sanity, Ethel Merman And The Holy Grail.
A good, old-fashioned story of guilt, poverty, love, madness and free video club membership.
Some called him a hero. Some called him the most dangerous man in America Read More »

Terry Gilliam & Terry Jones – Monty Python and the Holy Grail [Extras] (1975)

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Could this be the funniest movie ever made? By any rational measure of comedy, this medieval romp from the Monty Python troupe certainly belongs on the short list of candidates. According to Leonard Maltin’s Movie & Video Guide, it’s “recommended for fans only,” but we say hogwash to that–you could be a complete newcomer to the Python phenomenon and still find this send-up of the Arthurian legend to be wet-your-pants hilarious. It’s basically a series of sketches woven together as King Arthur’s quest for the Holy Grail, with Graham Chapman as the King, Terry Gilliam as his simpleton sidekick Patsy, and the rest of the Python gang filling out a variety of outrageous roles. The comedy highlights are too numerous to mention, but once you’ve seen Arthur’s outrageously bloody encounter with the ominous Black Knight (John Cleese), you’ll know that nothing’s sacred in the Python school of comedy. Read More »

Terry Gilliam – The Zero Theorem (2013)

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Quote:
The Zero Theorem casts Christoph Waltz as Qohen Leth, an egghead data processor who is given a mission to make order out of chaos. This being a production by Terry Gilliam – the rambling mad uncle of British cinema – Qohen Leth is clearly screwed from the outset. The Zero Theorem is a sagging bag of half-cooked ideas, a dystopian thriller with runaway dysentery, a film that wears its metaphorical trousers around its metaphorical ankles. In fits and starts, I quite enjoyed it. Read More »

Terry Gilliam – The Crimson Permanent Assurance (1983)

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In the bleak days of 1983, the Crimson Permanent Assurance, an accountancy staffed by elderly workers much like a slave ship, has been taken over by efficiency-minded corporate types. When they sack an employee, there’s an uprising, and the building is unleashed from its moorings to sail across the (dry) ocean and take on the financial centers of the world, starting with an all-out attack on the large skyscraper housing The Very Big Corporation of America, complete with filing-cabinet cannons, ceiling-fan broadswords, and paper-spindle short-swords. Read More »

Terry Gilliam – Tideland [+Extras] (2005)

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Quote:
After her mother dies from a heroin overdose, Jeliza-Rose is taken from the big city to a rural farmhouse by her father. As she tries to settle into a new life in a house her father had purchased for his now-deceased mother, Jeliza-Rose’s attempts to deal with what’s happened result in increasingly odd behavior, as she begins to communicate mainly with her bodiless Barbie doll heads and Dell, a neighborhood woman who always wears a beekeeper’s veil. Read More »

Terry Gilliam – Brazil (1985)

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SYNOPSIS
Brazil constitutes Terry Gilliam’s enormously ambitious follow-up to his 1981 Time Bandits. It also represents the second installment in a trilogy of Gilliam films on imagination versus reality, that began with Bandits and ended in 1989 with The Adventures of Baron Munchausen. To create this wild, visually audacious satire, Gilliam combines dystopian elements from Orwell, Huxley and Kafka (plus a central character who mirrors Walter Mitty) with his own trademark, Monty Python-esque, jet black British humor and his gift for extraordinary visual invention. The results are thoroughly unprecedented in the cinema. Read More »