The Blockhouse was a 1973 film, based on a book by Jean Paul Clebert. It was directed by Clive Rees and starred Peter Sellers and Charles Aznavour. It was filmed entirely in Guernsey in the Channel Islands. Read More »
The Cannon Group
A detailed investigation of the 70’s Au Pairs, leaving no stone unturned and milking every situation.
Four young women from Europe and Asia, recently arrived in England, begin their new jobs as Au Pairs. They quickly find that the English are not as stuffy and staid as they appear, and the young ladies are soon spending more time in bed than on the job. Read More »
Gualtiero Jacopetti and Franco E. Prosperi, best-known for the groundbreaking shockumentary Mondo Cane, directed this bizarre and shocking look at slavery in America. Set in the deep South prior to the Civil War, Zio Tom finds Jacopetti and Prosperi travelling back in time aboard a helicopter to investigate the nuts and bolts of slavery as it happened in the United States prior to abolition. Along the way, the filmmakers go aboard a slave ship as frightened Africans are brought to America under inhuman conditions; they witness the dangerous and degrading process by which slaves were made ready for market; and they visit a “breeding farm” for slaves after laws prohibit the importation of slaves from abroad. Read More »
Raoul Ruiz’s surrealistic modern-day riff on Robert Louis Stevenson’s classic novel.
Review by timmy_501 @IMDb:
While this film is related to the Robert Louis Stevenson book of the same title, it certainly doesn’t resemble a traditional adaptation. The entire film is about the relationship between people and works of fiction. Treasure Island is the most important and notable of these works, but it isn’t the only one. A substantial part of the plot is about a group of people who attempt to reenact Treasure Island each year; they get so caught up being their characters that they sometimes forget they are just acting and none of them seem surprised when the bodies start piling up. Read More »
“At the center of Sam Shepard’s ‘Fool for Love’ are two people whose hurts are so deep, whose angers are so real, that they can barely talk about what they really feel. That does not stop them from talking, on and on into the hurtful night, and eventually we can put together their stories, using what they have said, and especially what they have not said.
One of the characters is a blond slattern named May, whose natural beauty has been rearranged into a parody of the classic movie baby doll — Brigitte Bardot, say. The other character is named Eddie, and he is a cowboy who drives through the empty Texas reaches in the obligatory pickup truck with the obligatory rifle rack behind his head and the obligatory horse trailer behind the truck. One night May is working behind the counter of a restaurant in a crumbling motel, and she sees Eddie’s pickup coming down the road. She runs and hides. Standing in the shadows of the rundown motel is an older man (Harry Dean Stanton) who simply waits and watches. Read More »
Diana (Jill Clayburgh) and her rebellious cocaine snorting daughter (Martha Plimpton) travel to the Louisiana bayou to meat their distant relatives. They find a wild gun-toting marsh woman (Barbara Hershey), and her grown children who she protects from the outside world still, going as far as putting one in a cage. Diana came to write an insightful article about her lost family, but may have gotten in over her head. The atmosphere is beautiful. There are some great performances by the brilliant Barbara Hershey (won best actress in 1987 Cannes), and Martha Plimpton. The turning point of the film is a bizarre rape sequence involving Martha Plimpton, cocaine, a big barrel of honey, a dozen goats, and Patrick Swayze’s brother, Don Swayze. This leads to both Jill Clayburg and Martha Plimpton being alone in the swamp, fighting for survival, and also a serious conflict within the family. Photographed by Chris Menges (The Killing Fields, The Mission). This film is incredible. Read More »
Mark Deming, All Movie Guide
Gualtiero Jacopetti and Franco E. Prosperi, best-known for the groundbreaking shockumentary Mondo Cane, directed this bizarre and shocking look at slavery in America. Set in the deep South prior to the Civil War, Zio Tom finds Jacopetti and Prosperi travelling back in time aboard a helicopter to investigate the nuts and bolts of slavery as it happened in the United States prior to abolition. Along the way, the filmmakers go aboard a slave ship as frightened Africans are brought to America under inhuman conditions; they witness the dangerous and degrading process by which slaves were made ready for market; and they visit a “breeding farm” for slaves after laws prohibit the importation of slaves from abroad. Also included is a sermon from a preacher who argues for the moral and spiritual necessity of slavery (while another man speaks out against it strictly on grounds of economics and practicality); the contrasting thoughts of men and women on the matter of miscegenation; and an interview with an educated slave who feels his circumstances are better for him than conventional employment. Also shown is the brutal torture and punishment of slaves for any number of real or imagined grievances. Re-creating both the opulence and the ugliness of the Old South on a grand scale, Zio Tom concludes with present-day African-Americans reading The Confession of Nat Turner and contemplating violent overthrow of the white-dominated culture. Understandably controversial, Zio Tom received a very brief theatrical release in the United States under the title Farewell Uncle Tom, where it received an X rating from the MPAA despite being trimmed by approximately 20 minutes from its original Italian running time. Read More »