‘A dangerous prison escapee, a young Jutland woman and a bank clerk, who has just deprived his employer of some cash and is now headed abroad, meet on a lyntog (literally “lightning train”) from Arhus to Copenhagen. The prison escaper tries to deprive the bank clerk of what he’s carrying.’
– penseur Continue reading
This stunning feature documentary chronicles the attempted takeover of a small town in North Dakota by notorious white supremacist Craig Cobb. As his behavior becomes more threatening and tensions soar, the residents desperately look for ways to expel their unwanted neighbor. With incredible access to both longtime residents of Leith and white supremacists, the film examines a small community in the plains struggling for sovereignty against an extreme vision. Continue reading
Atom Egoyan’s ongoing search for his own best form makes no real breakthrough in “Remember,” a state-hopping Nazi-hunt mystery that puts a creditably sincere spin on material that is silly at best. At worst, tyro writer Benjamin August’s screenplay is a crass attempt to fashion a “Memento”-style puzzle narrative from post-Holocaust trauma. Toggling variables of disguised identity and dementia, as Christopher Plummer’s ailing German widower travels across North America in search of the camp commander he recalls from his time in Auschwitz, the pic is riddled with lapses in logic even before a stakes-shifting twist that many viewers might see coming. Crafted in utilitarian fashion by Egoyan, “Remember” does little to earn the poignancy of Plummer’s stricken performance — though that asset, plus a button-pushing premise, could attract reasonable interest from older arthouse auds. Continue reading
A squad of National Guards on an isolated weekend exercise in the Louisiana swamp must fight for their lives when they anger local Cajuns by stealing their canoes. Without live ammunition and in a strange country, their experience begins to mirror the Vietnam experience. Continue reading
A hapless pianist at a jazz club gets caught up with the mob, when his older brother who owes money to them comes to him for help. Eventually, the piano player and his girlfriend become pawns in middle of a dangerous game.
Truffaut first read David Goodis’s novel in the mid-1950s while shooting Les Mistons when his wife Madeleine Morgenstern read it and recommended it to him. He immediately loved the book’s dialogue and poetic tone and showed it to producer Pierre Braunberger, who bought the rights. Truffaut later met Goodis in New York City, where the novelist gave Truffaut a vintage viewfinder from his brief experience as a 2nd Unit Director on a U.S. film. Continue reading
The best movie that I’ve seen so far at Cinequest is the French thriller Lead Us Not Into Temptation. A middle-aged married man does a good deed for a beautiful young woman and finds himself the pawn in a dangerous game. Inventively constructed, we see the story from the perspective of the guy, then from the young woman’s point of view and finally through the prism of another character. Unlike in Rashomon, we don’t see different realities, but, as secrets are revealed, we finally understand the whole picture. It’s a brilliant screenplay by writer-director-producer Cheyenne Carron. In the young woman, Carron has created a character who is both predatory and damaged but who can act charming, vulnerable and sexy. The story hinges on actress Agnes Delachair’s ability to play that complex role – and she delivers a captivating performance. Continue reading
Plagued by a series of apocalyptic visions, a young husband and father questions whether to shelter his family from a coming storm, or from himself.
I’m going to try to be restrained in my praise of this film, but it’s going to be hard, because I think it’s about as close to perfect film-making as I’ve ever seen. I generally only write reviews for movies I’ve really loved, or really hated, and this movie I really loved. Continue reading