Jonas (Walker Jr) is on the road to Salina. He stops at a gas station/restaurant and its owner, Mara (Hayworth), is struck by his resemblance to her dead son, Rocky (Porel). He decides to stay on and meets Mara’s friend Warren (Begley) and Rocky’s sister Billie (Famer), but dark facts are to be revealed about the death of Rocky. Continue reading
Yuji Akahoshi (Gou Ayano) for a television show. He receives a phone call from an old high school friend, Risako Kano (Misako Renbutsu). She tells him that her co-worker at a cosmetics compay was stabbed to death and then doused in flames. Yuji Akahoshi decides to interview workers at the company and others that knew the victim, Noriko Miki (Nanao), for his television show.
Yuji Akahoshi soon discovers that another co-worker, Miki Shirono (Mao Inoue) disappeared the same night of the murder. She was last seen running to the train station shortly after Noriko Miki’s death. Yuji attempts to unravel the mystery of Miki Shirono. Continue reading
What do you do if a stranger comes to your home and politely asks to borrow some eggs?
So far, it doesn’t sound like a good film, but Funny Games isn’t a good film. There’s no way it can be middle-of-the-road, it’s either brilliant or awful, depending on your point of view. Consider that when this film was first shown at Cannes, a lot of the audience walked out, including some professional film critics. In short, this is a film you need to see to have any true appreciation of how it works. I could describe everything that happens in minute detail, and still not impart what actually happens. Continue reading
Noteworthy crime movie
A rather forgotten but very interesting adaptation of a novel by Patricia Highsmith. The plot is simple: A man, unjustly convicted for criminal negligence to 5 years imprisonment, gets released from jail and is being increasingly entrapped to a web of jealously regarding his beautiful wife’s activities while he was locked-up. The film adroitly examines the corrosive effects of jealously that gradually generate a form of mental confinement which effectively proves to be equally unbearable with the physical one. It unfolds with almost clinical precision, its use of location is inspired and the performances sharp and convincing (avoid the dubbed English version). The climax could have been stronger but it generally captures the amoralism of Highsmith’s work as well as some other more well-known adaptations of her work. Continue reading
Jeremy Heilman of moviemartyr.com wrote:
One of the supreme suspense films, René Clair’s And Then There Were None combines the glamour and wit of a Hollywood studio production with a considerable amount of very real suspense. Adapted from an Agatha Christie novel (Ten Little Indians), it tells the story of a group of strangers who are invited to stay at an island estate only to find out that they are being eliminated one by one according to the predictions of a nursery rhyme that they find. By making a game of the treachery and never actually showing any of the murders on-screen, Clair achieves the same delicate balance between tension and breeziness that Hitchcock strived for in films such as To Catch a Thief and Family Plot. The production values are top notch, and the cast of relatively unknown character actors assembled keeps us from guessing whodunit right off the bat. Continue reading
THE BABADOOK was the breakout horror hit of Sundance 2014, and has been terrorising audiences around the world ever since. This creepy, expertly crafted feature has been a critical and audience scary favourite, winning a slew of awards for best film, best actress, best director etc. Which suits Mister Babadook just fine because he is a conceited asshole and loves people heaping praise on his film. Continue reading
The film tells the story of an American journalist covering the Salvadoran civil war who becomes entangled with both leftist guerrillas and the right wing military. The film is sympathetic towards the left wing revolutionaries and strongly critical of the U.S.-supported death squads, focusing on their murder of four American churchwomen, including Jean Donovan, and their assassination of Archbishop Óscar Romero.
The film was nominated for two Academy Awards: Best Actor in a Leading Role (Woods) and Best Writing, Screenplay Written Directly for the Screen (Stone and Boyle). Continue reading