As steady hands carefully wire a bomb and meticulously set the timer to the eerie sounds of children singing in the background, and as the deadly device explodes, rupturing a building into fragments and splintering the tranquility of the theatre. Elite assassins Mike Locken and George Hansen take on jobs too risky for even the CIA to handle. They’re best friends, superior marksmen and on the A-list when it comes to killing. But when one high-powered hitman betrays another, the intrigue, the violence and the trills become more than just a dangerous game of who-kills-whom first…It becomes a very personal war! Continue reading
Shelly Winters is great at playing unhinged characters. In WHAT’S THE MATTER WITH HELEN?, she teams up with Debbie Reynolds in a tale about two mothers of convicted killers who move to california in order to escape the publicity and threats against them. Helen (Winters) begins to slowly unravel, revealing the true psychotic within. Haunted by the death of her husband, she becomes increasingly dangerous to herself and others, especially Adelle (Reynolds), who may or may not survive. There are some snappy dance routines (highlighting Debbie Reynolds’ talent and cuteness) scattered throughout. Watch for Dennis Weaver (Duel) as Adelle’s love interest.-WHOEVER SLEW AUNTIE ROO?- has Shelly Winters as Roo, the rich widow of a famous magician.
A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.
Nymphomaniac is a sexually explicit drama about a woman’s erotic journey from birth to the age of 50 as told by the main character, the self-diagnosed nymphomaniac, Joe. On a cold winter’s evening, the old, charming bachelor Seligman finds Joe beaten up in an alleyway. He brings her home to his flat where he tends to her wounds while asking her about her life. He listens intently as Joe, over the next eight chapters, recounts the lustful story of her highly erotic life. Seligman reads a lot of books, from which he has acquired various general knowledge. He connects the stories told with what he has read about. Continue reading
I, Justice (Czech: Já, spravedlnost; German: Als Hitler den Krieg überlebte [If Hitler Would Have Survived the War]) is a 1968 Czechoslovak psychological thriller, directed by Zbyněk Brynych.
At 1946, during the Nuremberg Trials, the Czecholsovak physician Doctor Heřman is abducted by a mysterious organization. To his horror, Heřman discovers that he is to treat Adolf Hitler, whose suicide in 1945 was faked. Hitler now lives in an isolated sanatorium in Germany, surrounded by his ostensibly loyal followers, a group of former high-ranking Nazis. But those men blame him for Germany’s defeat and destruction, and have decided that a single death is not satisfactory punishment for Hitler. Rather, he is made to believe that the Second World War is still being fought.. Continue reading
Engaging, suspenseful, well-acted, atmospheric, and technically well-made Swedish thriller, based on the first book in Stieg Larsson’s Millennium trilogy (which I have not read; Amazon.com/AdLibris.se). Clichés and little originality notwithstanding, there is a certain freshness to the proceedings, and the film is one of the better Swedish entries in the genre. The movie contains a couple of very disturbing and intense scenes that linger in the mind. While the ending makes the film feel slightly too long, it also ties up a few loose ends quite nicely. Michael Nyqvist convincingly portrays Mikael Blomkvist, but his character is underdeveloped; Noomi Rapace is excellent and memorable as Lisbeth Salander; in a smaller role, Peter Andersson is appropriately disgusting and slimy as Nils Bjurman. Sure-handed direction by Niels Arden Oplev.
Peter Ericson Continue reading
Alan Morris, distraught over the failure of his marriage, shoots his estranged wife, Nikki, a Las Vegas go-go dancer, and vows to kill Michele and Iris, Nikki’s dance partners, whom he blames for his marriage breakup. He seeks out Michele and Iris as they leave the hospital where Nikki has died and runs over Iris and the police officer assigned to protect the two women. Terrified, Michele leaps into her car and flees to Los Angeles. There she finds a job at the Loser’s Club and strikes up an acquaintance with Joe, the club’s parking lot attendant. Alan learns of Michele’s whereabouts, hitchhikes to Los Angeles, murders the man from whom he accepted the ride and steals his car, and begins stalking Michele, who, by now, has moved into Joe’s apartment. After a final narrow escape in which the police arrive as Alan corners Michele at the zoo, he confronts her in Joe’s apartment. His plan is to kill her after forcing her to witness Joe’s murder. Minutes before Joe arrives, Michele breaks free, douses Alan with kerosene, and sets him on fire. Continue reading
The Canyons is a 2013 American erotic thriller film directed by Paul Schrader, written by Bret Easton Ellis, and produced by Braxton Pope. The film is set in Los Angeles and stars Lindsay Lohan, James Deen, Nolan Gerard Funk, Amanda Brooks, Tenille Houston, and Gus Van Sant. The plot focuses on youth, glamour, sex, and surveillance.